Call for entry: Clay Arts Vegas – Raise a Cup of Cheer
Clay Arts Vegas in Las Vegas, Nevada is pleased
to host “RAISE A CUP OF CHEER” a national juried art
exhibition, January 4 -January 28, 2013 at Clay Arts Vegas’ Victor F. Keen
Gallery in Las Vegas, Nevada. “RAISE A CUP OF CHEER” will showcase
ceramic drinking vessels by contemporary artists from around the United
States. The focus of the exhibit is on
the variety of ways artists create vessels for “everyday” use, in functional,
sculptural, traditional, and non-traditional forms.
years. Mixed media works will be permitted if clay is the primary component.
Selections will be conducted from images of works. Artists may submit up to
three entries with two images (including one detail) of each, not to exceed six
images.
exhibition, and for sale.
invited guest
building instructor, Alternative firing and kiln tech) John took pottery classes
at Arcadia high school in Phoenix. The major influence behind his art was his
mother, Corrine Mathisen Gregg who was a prolific artist. After her passing,
John returned to pottery in her memory. Having grown up in Arizona his work is
heavily influenced by the desert south west color and texture. John’s love and
understanding of traditional south west pottery has led him to specializes in
alternative firings. He has studied with Tome Coleman, Don Ellis, and Randy
Brodnax to name a few.
Peter Jakubowski (Clay
Arts Vegas Gallery Supervisor, Education Advisor and Design Expert) Peter comes to fine art
and sculpture through an extensive theatre back round having received his BA in
theatre from SUNY Buffalo and an MFA in design from Temple University. He
currently heads the only design for dance program in the United States at the
University of Nevada Las Vegas and has over 20 years of experience as a
professional lighting and scenic designer. He works in a variety of art mediums
and enjoys sculpture, lapidary, and silver-smithing. His love of clay developed
from the study and collecting of traditional South East folk pottery.
images per work.
work entered, payable by credit card or check.
minimums: 800 pixels in either direction, with maximum file size of 1.0 MB).
Each JPEG image must be titled with the artist’s last name, first
name, entry number, and “detail” if you are including a
detail image.
artist’s full name and email address.
2012.
Vegas
http://www.clayartsvegas.com/cup.htm
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December 20, 2012
December 27 – December 30, 2013
Delivery and Return of Work
exhibit will be E-Mailed instructions for
pick-up of artworks.
artist both to and from the gallery.
exceed 75 lbs. All work must be properly prepared for display. CAV will not be
held responsible for work submitted to the exhibit which is improperly packaged
for handling. No accepted entries may be withdrawn prior to the close of the
exhibition. CAV will keep images of all accepted work and may make the images
available to the public for publicity, documentation, and educational purposes
before, during, and after the scheduled exhibit. Please note and record the
number of parts or pieces per entry. Please make sure each work is identified
with the following information:
number.
that must not exceed the selling price if the work is for sale.
during the exhibition (between delivery and pick up dates), but will not be
responsible for any work delivered in damaged condition. You will be notified
if work arrives damaged. Artists will be responsible for insurance during
shipping both to and from the exhibition.
on each work sold during the exhibition. For every piece sold, a check will be
issued by CLAY ARTS VEGAS and mailed to the artist within one month of the end
of the show. Work not for sale must be marked NFS, but a value must be stated
for insurance purposes.
decision via e-mail. All accepted work will remain as placed by the
installation team and may not be withdrawn before the close of the exhibit. If
the piece is of a delicate nature or easily damaged, the artist may be asked to
assist the exhibition staff in the installation of that work. The jurors may
exercise the right to reject any work not accurately represented by the image
submitted or work that fails to meet eligibility requirements.
or to photograph and reproduce, in color, black and white, or video, all
entries accepted to the exhibition regardless of copyright. Photographs and/or
reproductions may be used for educational and/or publicity purposes only.
Full Name (as you want it
to appear): _________________________________________
State:_____________ Zip:__________
Phone:____________________ E-Mail:______________________________
________________________________________ Date:______/______/ 2012
indicate that you have read and understand the Exhibit Policies.
Work:________________________________________________
(HxWxD):_________________________________________
insurance value):____________________________
Work:________________________________________________
(HxWxD):_________________________________________
insurance value):____________________________
Work:________________________________________________
(HxWxD):_________________________________________
insurance value):____________________________
application, the applicant agrees to all provisions of entry to this
exhibition, including the use and reproduction of any images
Arts Vegas
movie day: What goes up
What goes up from Lacey Hawkinson on Vimeo.
Sound courtesy of Angel Perez
technical tuesday: Natural Glazes: Collecting and Making
via Amazon:
“Making your own glazes is a fascinating and rewarding process, even more
so when making them from collected ingredients. With little equipment
and following a few basic principles, it is possible to harvest glaze
ingredients from your local environment, such as clay, subsoil, plants
and seashells, to achieve beautiful results in the kiln. Whether you
wish to make an entire glaze using collected materials, or just want to
use them as additions to existing base recipes, Miranda Forrest explains
how to source and prepare natural ingredients, from degraded rocks to
seaweed, as well as giving step-by-step instructions for mixing a glaze,
testing samples, and finally applying glazes and firing your work.
Contributions from contemporary ceramicists who use natural glaze
ingredients give a detailed insight into their working methods and
intriguing results. Encouraging experimentation and a creative approach,
Natural Glazes is a vital resource for anyone wishing to work in a more
natural, sustainable way to develop their unique glaze effects.”
“Miranda Forrest is a working ceramicist and graduate of the BA Honours
degree at the Glasgow School of Art. Based on the beautiful and remote
Outer Hebrides, off the west coast of Scotland, she develops her glazes
from locally collected ingredients and the surrounding environment
inspires her work.”
Buy a copy here.
monday morning eye candy: Amy Smith
Requests for Exhibition Proposals
periodically solicits for guest curatorial opportunities and exhibition
proposals. These exhibitions require artwork made either partially or
completely of ceramic materials. There will be at least one exhibition
opportunity each year. The Galusha Gallery will be made available for these
opportunities. The gallery space measures 31′ x 19′ with a wall height of 11′.
There are two windows on the south wall of the space. The maximum size for an
object is 9.5′ x 5.5′. A gallery map is available upon request.
If you are interested in submitting a proposal for an exhibition, please
provide the following information:
- A cover letter describing the purpose or curatorial intent of the
exhibition. - A resumé.
- A price list including NCC’s 50% gallery commission, if the work
is to be for sale. - A maximum of 20 slides representing the type of work to be
included in the exhibition. Each slide must be labeled with the artist’s
name, title of work, medium, date, size (H x W x D), photo credit, and a
dot in the lower left corner to indicate orientation. - Northern Clay Center is now accepting digital images submitted on
a CD. Images must be in JPEG format at 300 dpi. Please be certain to
identify all images on the CD with the following information: artist’s
name, title of work, medium, date, size (H x W x D), photo credit. - A corresponding image list that includes the same information as
the slide labels if submitting slides, or image information on the CD if
submitting digital images. - A self-addressed stamped envelope for return of submitted materials.
If postage is not included, materials will not be returned.
respond to submissions in a timely manner. They plan to meet again in
January 2013 for opportunities in 2014. Please expect the process to take
at least 2 – 3 months. Because we do not maintain a slide registry or artist
file, all materials will be returned to you (in the SASE provided) unless your
proposal is under consideration.
Proposals should be mailed to:
Exhibitions
Northern Clay Center
2424 Franklin Ave. East
Minneapolis, MN 55406
NCC will require that artists or guest curators deliver work to be included in
the exhibition to the Clay Center and assist with both installation and
de-installation. NCC will provide promotion for the exhibition and a reception
for the public.
If your proposal is accepted, you will receive detailed information about
schedules and terms.
Please contact the exhibition manager with any questions or concerns at
612.339.8007 x 304 or [email protected].