emerging artist: Sarah McNutt

 
Artist Statement:

As
individuals we endeavor to assert our uniqueness, but in the same
breath ask if our experiences are shared by others. The contact of two
hands, the pull of gravity on sinking form, the small indent of a hidden
smile, I observe the subtle movements in life and through my work, ask
you to do the same.

Just
as we only pick up on tiny gestures when speaking face to face, the
conscious mind has the amazing ability to find meaning in the minuet.
The brevity and physicality of these interactions laden with
significance is fascinating to me and through my choice of format and
material I try to draw attention to the details we often overlook.
In
my most recent work I’ve been exploring the intricacies of human
interaction and our perceptions of each other through the use of the
body. Though the strategies I use to convey ideas vary greatly, there is
always a connecting thread tying human presence to the content.

I
have great interest in studying people from objective point of view and
in turn, make work that allows me to create a platform in which to
observe and engage others. I strive to create work that is likes a
conversation, rich in information, fluid, and fleeting.

Here is the info for the images. The concepts for the works are explained further on her site.

Untitled (image 1-2)
Year: 2013
Method: Handbuilt
Materials: raw clay, muslin, video projection
Measurements: 7’x3’x3′

The Pygmalion Project (image 3-4) http://www.sarahmcnutt.com/#!pygmalion-project-sarah-mcnutt/cyb8

Year: 2013
Method: Handbuilt and electric fired to cone 04
Materials: Low fire clay, video projection, wood
Measurements: 36″x15″x15″Inches (H x W x D)


Temperament Study (image 5) http://www.sarahmcnutt.com/#!gesture-study-sarah-mcnutt/cecj
Year: 2012
Method: Slab and electric fired to cone 04
Materials: Low fire clay, underglazes, wood
Measurements: 6.50 X 6.50 X 1.50 Inches


Uncomfortable Parts (image 6-7) http://www.sarahmcnutt.com/#!uncomfortable-parts/c1v3z
Year: 2013
Method: Body parts casted from a variety of volunteers mounted on a raw clay base
Materials: Cone 04 Clay, pigment wash, raw clay, armature 

Measurements: 6’x3’x3′

Verbiage (image 8-9) http://www.sarahmcnutt.com/#!verbaige/c1k1 

Year: 2013
Method: Handbuilt and electric fired to cone 04
Materials: Low fire clay, video projection, joint compound 
Measurements: Varies according to space installed

call for entry: The 4th International Triennial of Silicate Arts

Born from an idea by János Probstner, founder and former
director of the International Ceramics Studio, the 1st International
Triennial of Silicate Arts was held in 2005 in Kecskemét, Hungary –
expanding the tradition of the National Silicate Industrial Triennials
of the 1980’s into an truly global event.

Organised by the Foundation for Contemporary
Ceramic Arts, the 4th International Triennial will again include an
international competition, an exhibition and an international ceramics
symposium.
The venues for the Triennial are based in
Kecskemét, a large market town 80 kilometres south of the Hungarian
capital, Budapest. Kecskemét has long been renowned for its support of
cultural events and has a long tradition of artistic endeavour. The
Triennial exhibition will take place in the Kecskemét Cultural and
Conference Centre. 
The theme for the 2014 Triennial is “NEW ENERGY”. 
The organisers expect artists to use the given theme with complete freedom and innovation.
The works must be in clay, concrete,
porcelain or glass and artists are free to choose the technical methods
and approach to the given theme. The objects must be original works and
not previously prizewinning works in any international competition. 
The aims of the triennial are to stimulate
both fine and applied artists to create works which give scope to the
industrial and artistic application of new materials and technologies,
encouraging the widening of directions in 21st century silicate arts. 
Application deadline: 30 April 2014 
The exhibiton of the 4th International
Triennial of Silicate Arts will be held from 3 August to 7 September
2014 in the Kecskemét Cultural and Conference Centre.
The official languages of the Triennial are English and Hungarian.

call for entry: Zanesville Prize for Contemporary Ceramics

Total Prizes: $30,000
Best of Show: $20,000
1st Place: $5,000
2nd Place: $3,000
3rd Place: $1,000
Honorable Mention: $500 (2)
The Muskingum County Community Foundation
(MCCF) in cooperation with the Potters Council, Zanesville Ohio Ceramic
Arts, and the Artist Colony of Zanesville is seeking entries in
functional, sculptural, and tile ceramics.
JURORS

Three jurors will jury the competition:
Sherman Hall (Editor of Ceramics Monthly) (Columbus)
Brad Schweiger (Professor of Art at Ohio University) (Athens)
Angelica Pozo (Ceramic Artist) (Cleveland)

ENTRY QUALIFICATIONS

Entrants: Open to all ceramic artists worldwide.

There will be up to 100 pieces chosen.
The recommended size of work is a base of no more than 16’’ wide or deep
and a height of not more than 31’’ tall. Works may be larger than the
recommended size, but the artist must pay for return shipping if the
larger piece does not sell. Shipping costs of international works to be
returned to a destination other than an address in the United States
must be paid by the artist.
No ceiling-suspended works will be
accepted. Only very limited on-site assembly of multi-part works will be
possible. Works must be made primarily of ceramic materials and be
predominantly the work of the artist. The artwork must be no more than
two years old on the date of entry.
CALENDAR
     Opening date for submissions: January 15, 2014
     Deadline for receipt of entries: July 15, 2014
     Notification of acceptances: August 15, 2014
     Delivery of accepted works: September 15-22, 2014 (including hand delivery)
     Exhibition Dates: September 27 – October 12, 2014
A fee of $40 (check or money order USD)
covers up to three (3) entries. Checks are to be made out to MCCF and
must be drawn on a US bank payable in US funds. Artists of entries
selected for the competition will be notified by e-mail, so be sure to
include your e-mail address. If you wish to be notified by regular mail,
please include a self-addressed stamped envelope. You may also submit
your entries online at the MCCF website at www.mccf.org.
SALE
MCCF will insure all works for the
duration of the exhibition. All entries will be for sale. MCCF will take
a 30% commission on the price of each work sold.
SHIPPING
The artist is responsible for all
shipping costs and shipping insurance. There is no loading dock at the
show location so if the works are shipped by truck, they will need to be
shipped on a truck that has a lift gate. Please pack ceramic work
accordingly. Unsold items will be returned in same shipping container
and shipped to the address on the application. MCCF will pay the return
shipping costs for all unsold items of the recommended size or smaller.
The shipping costs of larger works and works shipped outside of the
United States are the responsibility of the artist.
Accepted works must be delivered September 15 – 22, 2014

SUBMISSION REQUIREMENTS

Format: high-resolution JPEG image, at
least 300 ppi, on CD or flash drive (if submitted by mail) or uploaded
through the online entry form. All submissions must be on CD or flash
drive or uploaded through the online entry form; no slides, prints or
submissions by email.
● IMPORTANT:
Begin each file name with the surname of the artist, followed by
first name, and name of work (example: smith_john_bluevase.jpg).
● IMPORTANT:
Include the printed entry form with the CD or flash drive. Begin
each file name with surname of the artist (example:
smith_john_entry_form).
Limit of three entries per artist. Maximum of two views of each entry may be submitted.
●  IMPORTANT:
For multiple views, please label them consistently. (example: smith_john_bluevase1.jpg and smith_john_bluevase2.jpg).
● IMPORTANT:
Include the statement on the CD or flash drive. Begin file name with surname of the artist (example: smith_john_statement).
Each entrant must
additionally include a short description of the techniques used and what
influenced the creation of this work on the CD or flash drive in
.doc(x) or .pdf format.
If you do not follow submission requirements, your entry is subject to disqualification.

Download a PDF version of the Zanesville Prize Call for Entries that includes the Entry Form.

You may also submit your entries online at the MCCF website at www.mccf.org.

http://zanesvilleprize.org/