call for entry: Sydney Teapot Show 2014

Claire Locker – overall winner 2013  
 
Tanya Bechara
 
“The
Inner City Clayworkers Gallery in Glebe are currently looking for fresh
new entrants for the Sydney Teapot Show 2014. If you have not entered
before (are not already on their mail-out list), and you have at least a
Diploma in Ceramics, why not take part this August? Have a look at our
website to see winners from 2013. 
http://www.clayworkers.com.au/content/sydney-teapot-show-2013

To be considered, just send your CV and photos of examples of your ceramic work to our email: [email protected]
 
If
we like what we see, we will include you in our mail-out of entry forms
which will include details of the 2014 categories and prize values.
 

Denise McDonald


 

movie day: Forms In Succession #5

Porcelain sculpture by Shigekazu Nagae, ‘Forms in Succession #5’, 2011, Powerhouse Museum Collection.

This
beautiful porcelain sculpture, Forms in Succession #5 created by
Japanese potter Shigekazu Nagae dances beautifully in this video. The
paper look-alike form somehow evokes the aesthetics of origami, Japanese
paper folding. Made by using slip-cast techniques, the porcelain speaks
of its origin yet shyly introduces itself to international audiences.

This
piece was recently acquired by the Powerhouse Museum, supported by The
Ceramic Collectors Society in Australia. It was made in the pottery town
of Seto, known for centuries as the cradle of Japanese utilitarian
ceramics. The family of the artist Shigekazu Nagae (born in 1953)
produced thousands of cheap slip-cast porcelain bowls and plates. As a
youth, this made the artist feel inferior to individual potters who
hand-crafted their ceramics. After graduating from the Seto Ceramics
Training Institute, Nagae saw unique artistic possibilities in
slip-casting, which he thought other techniques such as wheel turning or
hand-coiling could not achieve. He thus created his distinctive
sculptural series ‘Forms of Succession’ of which this work is an
excellent example. The Museum acquired the object as a good example of
how an innovative idea enables an artist to adapt conventional
production techniques, in this case slip-casting, to create new art
forms. In addition, the beauty of the piece would no doubt be highly
admired and enjoyed by Museum visitors.

This video suggests a
new way of museum presentation that differs from conventional methods of
display and interpretation. Museums research, collect, document,
conserve and display objects. But in this contemporary society, we are
not only able to display objects in glass showcases but also in the
digital world in a creative manner. In order to enhance understanding of
the piece, we decided to film the beauty of the object and to allow it
to speak for itself. Thanks to the photographer, Geoff Friend and film
producer Leonie Jones for sharing this small experiment!!

Min-Jung Kim, Curator, Asian Arts and Design, Powerhouse Museum, Sydney

monday morning eye candy: Carol Gouthro

Many thanks to Ceramics Art and Perception for permission to re-post Carol’s article on musing.
Here is a link to the article:
www.carolgouthro.com/link_art%20and%20perception.pdf

Did you know that Ceramics Art and Perception now offers digital issues? Purchase your copy here.

Find out more about Carol’s amazing work on her website:  www.carolgouthro.com

residency opportunity: Kansas State University

Residency Information

Duration
Residency Term:  August 15 – July 31
Resident Artists are granted a one-year residency, and may be invited to stay for a second year.
Compensation

  • 200+ sq/ft Private studio w/sink in K-State ceramics area
  • Adjunct
    professor status: Adjunct appointments are made for the benefit of the
    university to allow people from outside the university to contribute to
    its academic program. In recognition of their contribution to the
    academic community, the university extends to adjunct appointees
    residing in Kansas the use of university libraries; employee rates for
    athletic, K-State Union, and cultural events; and parking privileges.
  • Teaching
    opportunities may become available but are not guaranteed – One to two
    sections of Intro to Ceramics for Non-Majors dependent upon enrollment.
  • Exhibition opportunities on and off campus
  • There is no monetary compensation for this position, other than potential adjunct teaching opportunities.

Responsibilities

  • 5 hrs/week work exchange covers all clay and glaze materials/firings
  • Participation in graduate critiques 
  • Occasional demonstrations for under graduate ceramic courses
  • Artist in residence is responsible for all personal living expenses

Requirements

  • Applicant must have a Master of Fine Art degree

Apply
Application Deadline: April 15th
All applications must be submitted by email to [email protected] and include the following materials:

  • Current resume
  • Artist Statement
  • List of 2 references with phone numbers and email addresses
  • PDF portfolio of 10 images of recent work to include title, date, medium, and size for each image (under 20MB)

http://art.ksu.edu/grad/ceramics/ceramics_residency.html