Tons of stuff happening at The Clay Studio this summer!

The Ninth Annual Marge Brown Kalodner Graduate Student Exhibition  

The Ninth Annual Marge Brown Kalodner
Graduate Student Exhibition

Harrison and Reed Smith Galleries & the Bonovitz Space

July 6 – August 12, 2012 
Opening reception, First Friday, July 6th, 5pm – 9pm
Chris Vicini

Guest Artist in Resident Lecture: Chris Vicini

Please join us, Thursday, July 26th, for
a reception and lecture from our new Guest Artist In Residence, Chris
Vicini. Reception starts at 6pm with lecture to follow at 6:30pm. Free
and open to the general public, light refreshments will be served.

More information about Chris and to register for the lecture


Jimmy Clark 12-SU-WK39 Artist Workshop with Jimmy Clark

with Jimmy Clark
All skill levels
$250, $225 for members
Sat Jul 21, 10am – 5pm
Sun Jul 22, 10am – 5pm
Sat Aug 4, 10am – 12pm
Sun Aug 5, 11am – 12pm
click HERE to register
This
four day workshop is designed to dispel the notion that pinching is
merely a beginner’s technique. Students will explore numerous
variations on the method including creating large forms, working
intuitively, exploring asymmetrical forms, incorporating found objects,
burnishing and applying terra sigilatta. The pieces will then be smoke
fired at Cheltenham Art Center. Smoke firing is a process in which
bisqued pots are buried in sawdust and smoldered overnight in a kiln.
This results in random and unpredictable smoke patterns on the pots’
surfaces. *The workshop takes place on the 21st and 22nd at The Clay
Studio, and on the 4th and 5th at Cheltenham Art Center. Please call
Sara Gallo, School Coordinator at 215-925-3453 x23 for more details.


Heeseung Lee 12-LAWS-06 Surface Decoration Through Layering: Oxide Transfers, Decals, Relief, and Lusters

with Heeseung Lee
All skill levels
$50, $45 for members
Sun Jul 15, 10am – 1pm
click HERE to register 
Heeseung
will provide an overview of layering techniques, materials, and firing
processes in this workshop, along with information about how to use
lusters as a layering element. Students will enjoy hands-on
demonstrations of photocopy oxide transfers on leather hard clay, decal
application on glazed objects, and relief decorating on masked
greenware. Some basic tiles will be provided by The Clay Studio for the
leather hard and greenware hands-on portion of the workshop. If
students would like to experiment with applying decals, the Studio asks
that you bring your own gloss-glazed pieces to use.

Looking for a space to work?
Apply for the Associate Program!

throwing
 Looking
for a studio that can provide you access to ceramic equipment? Look no
further! The Clay Studio’s Associate Program provides access to
equipment and a community of like minded artists!

More information on The Clay Studio’s Associate Programhand build
If
you are interested in becoming an Associate or have more questions,
please contact Director of Education and Operations Jennifer Martin
via email at [email protected] or call 215-925-3453 x16.

The Clay Studio | 137-139 N. Second Street | Philadelphia | PA | 19106
www.theclaystudio.org 

Job posting: Ceramics Technician AA (1230)

Institution: Pratt Institute
Location: Brooklyn, NY
Category:
  • Faculty – Fine and Applied Arts – Art
Posted: 06/21/2012
Application Due: Open Until Filled
Type: Full Time

POSITION SUMMARY
Beginning Summer 2012, the full-time Ceramics Technician will oversee the day to day operations
of the Ceramics area.

POSITION DUTIES
– Clean and maintain the Ceramics Studio to ensure a safe working
environment.
– Ensure that clay, glazes and slip are always ready and available for student use (i.e., mix clay bodies and compound
glazes, and periodically test new clays and glazes).
– Maintain a
firing schedule which keeps work flowing through the ceramic
process in a timely fashion (i.e., .program, fire and supervise the
computer-controlled electric kiln; develop customized programs; train
faculty and students; etc.).
– Inventory, order and receive supplies and materials (i.e., clay and glaze chemicals, equipment repair
parts, safety equipment, etc.).
– Maintain and repair equipment (i.e., trobuleshoot kilns, change kiln elements, replace switches,
lubricate wheels, etc.). Clean and maintain kiln furniture.
– Maintain slip casting equipment and supervise its use (i.e., run slip
mixer and casting table daily, train faculty and students, etc.).
– Maintain and oversee studio safety rules and procedures to OSHA
standards. (i.e., provide respirators, gloves, goggles; ensure adequate ventilation of toxic fumes and mists, etc.).

Oversee,
direct and maintain efficient operation of studio (i.e., organize space,
maintain efficient flow of work and materials from forming through
finished piece, etc.).
 -Manage the Ceramics area budget.
– Hire, supervise and schedule work/study students and graduate
assistants (i.e., train, schedule, direct and monitor student workers on a daily basis.).
– Perform all other related duties as
assigned.

EXPERIENCE AND QUALIFICATIONS
Education:

Must have B.F.A. in ceramics or equivalent combination of education and experience; M.F.A. preferred.
Experience:
Technical knowledge of ceramics materials, processes, and equipment
required
Skills:Must
have ability to handle
computer-operated kilns; and ability and desire to upgrade and maintain
new ceramics skills as needed. Excellent verbal and interpersonal
skills and above average organizational and follow-up skills required.

PRATT INSTITUTE IS AN EQUAL OPPORTUNITY
EMPLOYER AND RECOGNIZES AND VALUES THE BENEFITS OF A DIVERSE WORKFORCE.

Application Information

Contact: Pratt Institute
Online App. Form: http://pratt-edu.silkroad.com/epostings/submit.cfm?fuseaction=app.dspjob&jo
bid=248&company_id=16145&version=1&jobboardid=101

More Information on Pratt Institute:

technical tuesday: how’d they do that?

From the aludean website:
 “This sculpture was hand modelled in 4 tonnes
of clay and then cast in reinforced resin. During the clay modelling
stage, studio lighting was tuned to match the final installation site to
allow adjustment of the form and control the shadows that give Voyage
its life and rhythm.

The sculpture is 14 m long, 3.6 m high and roughly 8 cm deep.”

Gorgeous…incredible….but seriously how’d they do that?