2015 Yingge Ceramics Museum Artist-in-Resident opportunity

Application guidelines for the 2015 Artist in Residence of Taiwan Yingge Ceramics Museum have been announced.

Dear Artists,
We would like to inform you that our application for the 2015 Artist in
Residence of Taiwan Yingge Ceramics Museum has just begun. We sincerely
hope you and your artist friends can all participate in our 3 month
expense-paid international residency program (including round-trip
travel subsides, daily stipend, accommodation, and NTD 30,000 material
fee). For the 2015 program, our goal is to select the best artists from
all the applicants who have applied for our program. The application
deadline is September 30, 2014. Please make sure to send your
application in time.

See the link below for residency details
and application files. Please go through the files carefully to
understand more about our programs. Artwork images for entering the
selection process is recommended 10 art work photos. Please pass on this
information to anyone who might be interested in our program!

Below is our website, you can also download the application forms from here:
http://www.ceramics.ntpc.gov.tw/en-us/Learning/Content.ycm?pr=9658

Thank you for your cooperation and wish you the best of luck in your future artistic career!

Best Regards,
Samuel Hsuan-yu Shih
九座寮聯合事務所 UNIT-9 CERAMICS & VISUAL ARTS OFFICE
Http:// www.UNIT-9.com
TEL: 886 2 2636-3999
FAX: 886 2 2636-3999
Address: No.39, Haijing 5th St., Sanjhih Township, New Taipei City 25242, Taiwan

Luke Syson: How I learned to stop worrying and love “useless” art

Luke Syson was a curator of Renaissance art, of transcendent paintings of saints and solemn Italian ladies — serious
art. And then he changed jobs, and inherited the Met’s collection of
ceramics — pretty, frilly, “useless” candlesticks and vases. He didn’t
like it. He didn’t get it. Until one day … (Filmed at TEDxMet.)

Luke Syson joined the Metropolitan Museum of Art in 2012 as the Iris
and B. Gerald Cantor Curator in Charge of European Sculpture and
Decorative Arts. This year, he co-curated the small but innovative
exhibition “Plain or Fancy? Restraint and Exuberance in the Decorative
Arts.” Before joining the Met Syson was Curator of Italian Painting
before 1500 and Head of Research at the National Gallery, London. While
at the National Gallery, he was curator of the exhibition “Renaissance
Siena: Art for a City,” and in 2011 he organized the groundbreaking
“Leonardo da Vinci: Painter at the Court of Milan.”

Syson was
also one of the curators who organized the acclaimed Enlightenment
Gallery at The British Museum and was part of the team that planned the
new galleries for Medieval and Renaissance Art at the Victoria &
Albert Museum.

BYRDCLIFFE ARTIST IN RESIDENCE PROGRAM


For Visual Artists, Writers, Ceramicists and Composers

The Byrdcliffe Artist in Residence program provides artists of
exceptional talent with uninterrupted time and creative space to
research and create new work. Lasting four weeks (or a possible eight
weeks for ceramic artists), residencies provide artists with private
studio space within a community of peers and the serene natural setting
of the Byrdcliffe Art Colony. Artists are invited to participate in open
studios, work-shares, communal dinners and field trips, or may spend
their residency working in the creative solitude of a private studio.
Byrdcliffe’s residencies are particularly beneficial to those who find
it restorative to live in a simple, communal environment in close
proximity to natural beauty.

Surrounded by the Catskill Mountains and just west of the Hudson
River, the Byrdcliffe Art Colony is home to over 80 artists each year,
fifty of whom are hosted by the Artist in Residence Program. Beyond the
AIR program, the Colony is comprised of more than a dozen artist
cottages, the Byrdcliffe Theater, the Byrdcliffe Barn, a tennis court
and the Mt. Guardian hiking trail, as well as the Kleinert/James Center
for the Arts which is located in the center of Woodstock. Byrdcliffe
hosts a regular schedule of artist talks, exhibitions, concerts, theater
productions and guided hikes, most of which are year-round. Public
events allow artists the opportunity to connect with the community at
large. At Byrdcliffe creative time is sacrosanct, and artists are given
free rein to decide what activities will contribute to their residency
experience. Byrdcliffe offers a unique experience in simplicity of
living amid the natural beauty of a 250 acre campus of protected fields
and woodland. At the same time, Byrdcliffe provides the opportunity to
live in a community of creative people of all ages and backgrounds who
are dedicated to honoring the creative spirit.

BLOGS

We have an Artist in Residence Program blog; check it out at http://airbyrdcliffe.wordpress.com!!

2014 ONLINE APPLICATION

Byrdcliffe’s 2014 Artist in Residence Program application is available online: apply now!! The deadline for submitting your 2014 AIR application is March 15, 2014.

More details here: www.woodstockguild.org/artist-in-residence


 

emerging artist: Francesca D’Angelo

 

Artist Statement
My
clay is wobbly
Sliding
swiftly through my fingers
Wobbly
on clay dome. Wobble on
Open.
Pull up. Thin out. Slap around
Sometimes
they make it
Sometimes
they don’t
Toss
it in the bucket
Start
again
Open.
Pull up. Thin out. Slap around
Pinch
it off
Now it
will sit
Sit.
Stiffen up. Be patient
In a
bucket I mix a little of this
A
handful of that
The
mixture is becoming binder. A texture
Score.
Bind. Attach. It looks good there
And
there. I grab another
Score.
Bind. Attach. Step back
The process
is familiar
Working
as a one woman assembly line
Bisque.
Glaze. Fire. Sandblast. Luster
Fire
again
Each
action creating a symbiotic relationship
Bisque.
Glaze. Fire. Sandblast. Luster
Or I toss
it in the bucket
And start
again

emerging artist: Dani Sigler

With
current US politics attempting to reverse human and women’s rights, I create
art to keep these rights moving forward. Much of my body of work consists of
feminine-inspired forms and objects with strong female content. The colors and
topics are loud but I also work to inject humor into these heavy topics. It is
clear to me that Women’s and Civil Rights have come under heavy fire in the
political realm. I strive to make work that is functional and domestic,
attempting to keep these conversations at the ‘everyday’ level, thereby making
my art more inclusive for multiple audiences, as opposed to limiting it to
specific groups or sites.  Clay is
my material of choice because it is a malleable material that encourages
touching. I am interested in seeing how the soft becomes strong, and I am
pleased with the tactile sensations of the finished projects.