Making Fun – 67th Scripps College Ceramic Annual


The Scripps College Ceramics Annual — the longest-running exhibition of contemporary ceramics in the United States — opens for its 67th consecutive year on Saturday, January 22, 2010 and continues through Sunday, April 3. Titled “Making Fun,” the Ceramic Annual highlights works from a younger generation of artists who address a wide range of topics while imbuing their art with a sense of humor. The exhibition is free and open to the public.

The theme “Making Fun” was chosen to affirm the value of play, a creative state requiring openness, vulnerability, and creativity. Play and art are closely intertwined, each representing the impulse to shape and adapt to a changing world. The works featured maintain their sense of humor while continuing to communicate their messages. Artists include: Barnaby Barford, Pattie Chalmers, Gerit Grimm, Ayumi Hori Sara Varon, Janice Jakielski, Matthew McConnell, Peter Morgan, Thomas Müller, Brendan Tang, and Matt Wedel.

The opening reception will be held on Saturday, January 22, 2011, from 7 to 9 p.m. at the Williamson Gallery.

The Ruth Chandler Williamson Gallery is located at Eleventh Street and Columbia Avenue, adjacent to Baxter Hall. During exhibitions, the gallery is open to the public, free of charge, Wednesday through Sunday, from 1-5 p.m. For more information, please contact the gallery at (909) 607-3397 or visit the website.

“Soft Slabing It” A Handbuilding Workshop by Liz Zlot Summerfield

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Liz Zlot Summerfield is hosting a workshop this weekend in her home studio. There are a couple of spots open! Check it out:

January 22, 2011

Bakersville, North Carolina

9:30am-5pm

Come enjoy a day of demonstrations at the studio of Liz Zlot Summerfield. This workshop will cover the use of paper patterns, the construction of pots, and the use of terra sigillata and underglaze in surface decoration-all the elements that Liz uses in her work. The day will begin with a light breakfast and beverages provided by Liz. As a participant in this intimate setting, you will be able to ask many questions, learn new techniques, and see works in progress. Liz also has an on site gallery that houses her husband’s blown glass and her pottery.

Pack a lunch and prepare for a day of fun and learning in the studio!

Workshop Fee

$95

Space limited to 8 people

To register contact Liz at:

[email protected]

828 688-1590

828 467-1138

via clay club

CARFAC appeals to all artists to speak up about the Artist’s Resale Right. Find out how you can help!

Over the past six months, our campaign for the Artist’s Resale Right has been picking up speed. All three opposition parties have endorsed our proposal. Heritage Minister James Moore, Health Minister and Nunavut MP Leona Aglukkaq and the Prime Minister’s Office have all expressed an interest in the Artist’s Resale Right but we are still waiting for them to confirm their support. You can help tip the balance by writing your MP and the Conservative members of the Legislative Committee on Bill C-32.

About the Artist’s Resale Right Many people profit when an artwork is resold – but not the artist. The Artist Resale Right would allow visual artists to share in these profits just as they do in 59 other countries around the world.

•The Artist Resale Right would entitle artists to receive 5% from the resale of their work.
-The full value of an artwork often isn’t realized on the initial sale. It is common for visual art to appreciate in value over time, as the reputation of the artist grows
-For example, acclaimed Canadian artist Tony Urquhart sold a painting, The Earth Returns to Life in 1958 for $250. It was later resold by Heffel Fine Art auction house in 2009 for approximately $10,000.

•Canada’s Aboriginal artists in particular are losing out on the tremendous profits being made on their work in the secondary market.
-Many artists living in isolated northern communities live in impoverished conditions, while their work dramatically increases in value.

Find out you can help! Check out the CARFAC National website.