From the press release: The Perez Brothers (www.perezbros.com) proudly present the modern ceramic art of Derik Van Beers in their artist profile film entitled, The Skulls of Derik Van Beers.Derik Van Beers’ Website: http://www.derikvanbeers.com/Working exclusively with the primal image of the skull, the art of Van Beers is meant to provoke themes of lost innocence and to playfully remind viewers of their own mortality.In an effort to celebrate the emerging art scene in their hometown of Oakland California, the Perez Brothers have created a short film that simultaneously attempts to exhibit the finest techniques in both film and ceramics. Recently, the Perez Brothers have summed up The Skulls of Derik Van Beers as a “Morbidly optimistic examination of both life and art.” Enjoy!
This exhibition is open to all ceramic artists over the age of 18, who currently reside in the Central Time Zone. Artwork submitted must have been completed within the last three years. All forms of ceramic expression are encouraged. The show will be judged by Delores Fortuna, MFA, a ceramicist with over 30 years of experience.
Crafthaus shared this video this morning and I just have to share with you. Thanks to MAKE: makezine.com for the video. I feel like Anil Dash speaks so elequantly about the maker movement as a political stance. This resonates so strongly with me and why I do what I do.
ENTRY DEADLINE: Friday, November 4th, 2011 (midnight MDT) To be “On the Edge” is to be balancing yet changing, openly vulnerable and possibly ephemeral, about to plunge into a place that is undefined, unconventional and unexpected. “On the Edge” can be applied to virtually anything, from an impeding natural force to a chemical process, to a human emotion, memory, or condition. The dynamic and ever-changing landscape of the Pacific Northwest is a geographical manifestation of this concept and is at its most vigorous along the shores of Seattle and the Puget Sound-the site of NCECA’s 2012 Conference. “On the Edge” can also easily be applied to the medium of clay. Of all the materials that artists reach for, it can be argued that clay holds the most fundamental potential: able to immediately respond to the force of a touch, constantly changing and moving on to the next edge of expression. For the 2012 Projects Space in Seattle, artists are invited to consider the possibilities that lie within the medium of clay and submit works that consider the concept of “On the Edge.” Now in it’s third year, NCECA’s Projects Space is a platform for ceramic artists to present works that embrace the medium not as an end, but as a means of embracing the material as a physical metaphor, allowing it to communicate beyond the expected. Jurors Linda Ganstrom, Marianne McGrath, and Jeffry Mitchell are looking for submissions that not only actively embrace the concept of “On the Edge” using the medium of clay as a central focus, but also engage their materials, processes, and audience in unique and unconventional ways. Artists should keep in mind that the Projects Space Exhibition lies in the Central Hall at the heart of the NCECA Conference, and works are meant to grow and change throughout the duration of the conference. Five juried and invited artists will be assigned a 10’ x 19’ raw space in the Central Hall of the Seattle Convention Center to create their works during the week of the 2012 NCECA Conference. Artists will have from 9am to 4:30pm Tuesday, March 27th to install their materials and begin their piece. The artists will be featured guests at a reception Tuesday evening. Artists will continue to interact with their materials and piece throughout the conference ending Friday, March 30th at 5pm. Artists will de-install and clean their spaces from 5-9pm that evening.
Derik Van Beers’ Website: http://www.derikvanbeers.com/
Working exclusively with the primal image of the skull, the art of Van Beers is meant to provoke themes of lost innocence and to playfully remind viewers of their own mortality. In an effort to celebrate the emerging art scene in their hometown of Oakland California, the Perez Brothers have created a short film that simultaneously attempts to exhibit the finest techniques in both film and ceramics. Recently, the Perez Brothers have summed up The Skulls of Derik Van Beers as a “Morbidly optimistic examination of both life and art.”
