Call for submissions: HANDS AS TOOLS

JAC’s new PHOTOGRAPHIC competition for Issue 51/3, Nov 2012, The Journal of Australian Ceramics
 
pinch, press, pull, pug, print … show how hands can be used as tools.

The Prize: publication of your image (full page) in Issue 51/3 of The
Journal of Australian Ceramics (JAC), books to the value of $200 from
our online shop or 2 years membership of The Australian Ceramics
Association. The choice will be yours.

Conditions of Entry:
One entry per person.
A selection of the best images will be featured in The JAC, Issue 51/3, to be published on 20 November 2012.
Image format: 300 dpi jpg file, minimum size 1MB, maximum size 4MB. DO NOT email tiff files.
Portrait and landscape formats are acceptable, although portrait images (24.5cm X 17cm suit JAC’s format best).
All photos must be accompanied by the following information: photographers name, location and date of image.
Photos must have been taken in 2012.
There should be no digital manipulation of the image.
By entering the competition, you give The Australian Ceramics
Association license to publish your photograph in The JAC (paper and
digital) and on our website (via Flickr), www.australianceramics.com.

Deadline for images: Friday 14 September 2012

Images can be emailed to: [email protected] with the subject
heading “HANDS AS TOOLS”, or mailed on a disc to HANDS AS TOOLS, PO Box
274 Waverley NSW 2024.

Regards,

Vicki Grima
Editor, The Journal of Australian Ceramics
E.O., The Australian Ceramics Association
P.O. Box 274 Waverley NSW 2024
AUSTRALIA
T: 1300 720 124
F: 61 (0)2 9369 3742
www.australianceramics.com/
http://australianceramics.wordpress.com/
E: [email protected]
Issue 51/2 out 16 July 2012

Coming up next at AKAR…

Next Show:
Image and Form
A
contemporary bombardment of imagery brought on by relentless
advertising and unyielding production of photographs have left many of
us forgetting that often these images are more than a visual
representation; instead possess shape, take form, and live in our third
dimension. There’s a depth to be considered.

Nine potters now give us the chance to investigate what it means to consider image and
form. Primarily through decal transfers these artists represent not
only the visual but rather the visual in conjunction with the tangible.
How do they come together? Where do they meet? And what’s it mean to
bring an over saturated world of images into the intimate processes of
handmade ceramic? All questions to be considered when viewing Image and Form, from July 6th-20th.

Artists participating: Dan Anderson, Israel Davis, Andrew
Gilliatt, Julie Guyot, Erik Haagensen, Forrest Lesch-Middelton, Justin
Rothshank, Jane Shellenbarger, and Rimas VisGirda.

Next New Work:
Mitchell Spain

“…inventiveness
can come out of necessity to solve or fix a problem. It’s the small
details of ingenuity, the creativeness and resourcefulness used, that I
try to capture in my work.” Working with porcelain, Spain offers us some
truly original and exceptionally outstanding ceramics this month. Upon
first examination, these pots don’t look or feel like pottery at all,
but rather an old oil container or beer can dug up from any Midwest
farming homestead. This is truly amazing stuff, and while Spain
is only fresh out of an undergraduate degree, this young man is showing
skill and potential well beyond his years.

AKAR. 257 E. Iowa Avenue. Iowa City. IA 52240. T: 3193511227. WWW.AKARDESIGN.COM