by Carole Epp | Jan 7, 2013 | Uncategorized
As anyone whose every attended a residency can attest to it’s beyond all else overwhelming. This is not a bad thing by any means, but it does result in the inability to verbalize adequately all of the amazing conversations, sights, sounds, and artworks that surrounds you. My intentions were to blog everyday and share all the details of my trip to Arrowmont, yet now that i’m finally siting at the computer i’m lost, not sure where to begin, and more than slightly aware of the magnitude of information that has been packed into my brain over the last few days.
As many of you might know this is my first real venture away from my littlest babe so it’s been a time for re-awakening the dormant parts of my creative brain after a long sleep. This alone has made the transition back into a communal studio where academic and creative language abounds a bit stressful for me. The theoretical mind is a muscle that if not stretched dies off and not much short of shock therapy is needed to get it working again.
So i began my travels with a day of flights from the cold north of
Saskatchewan down into the Southern United States and the great state of
Tennessee. I’ve never been this far south in the USA and quite honestly
had no idea what to expect. There is as always with Americans a
generosity and kindness, humor and sincerity that always brings me back
to the USA happily. Tennessee has a wealth of beautiful scenery to
behold and the drive from Knoxville to Gatlinburg (where Arrowmont is
located) was a road trip to burn into memory. The Smoky Mountain
National Park was lovely this time of year and I predict would be even
more breathtaking in the summer or fall months.




A little on why I’m here: Early last year I received one of those emails that makes you giddy and uncontrollably dance happily around your kitchen (hopefully only for you to see). Jason Burnett, one of my current favorite contemporary potters contacted me regarding The Ceramic Surface Forum, which is a week long forum in it’s second year. Its an initiative that Jason pitched to Arrowmont and which Arrowmont eagerly supported, and somehow, just somehow I got on the ceramic gods good side and was invited to participate this year. I’ll be posting images of the other artists work over the next few days and will get around to posting links to all of their websites right away as well. For me this was the perfect way to start off my year. Last year was a blur, a baby, some sales, a move, who knows what else. And at the end of it all i was shocked to realize that a year had gone by without me having made even one new figurative sculpture. What?! I know. Embarrassing. That part of my brain had given itself up to the survival mode of parenting and craft sales. But in the fall I had applied for a grant with the Saskatchewan Arts Board which I recently found out I had received. This grant would financially support this residency as well as a research based trip to Los Angeles later this spring (more on that another time) and the production of a new body of figurative work.
So i looked that this week away at Arrowmont as the perfect way to start sketching ideas and content development for this new project. Plus on top of it all I would be surrounded by artists with a wealth of knowledge, particularly regarding ceramic surface techniques which I could learn from, test and possibly incorporate into new surface treatments for my figurative work.
Urgh glaze testing. How I hate thee. But with only a week and the inability to really bring anything back with me there was no point in making any sculptures – even if the idea of a weeks worth of uninterrupted days could have resulted in more physical work than what i created all last year. So instead i’m spending a lot of time peering over shoulders and learning, engaging in conversations about clay, craft, academia, life, you name it, and basically easing my way back into a making mode. Needless to say it’s been lovely, truly exactly what i needed and more.
For now I’ll leave you with some eye candy from around the studio as i’m eager to get away from this computer and back to the studio. I promise to fill you in more about Arrowmont, Gatlinburg and all of the artists i have the pleasure and honor to be working beside as soon as i have a spare minute. Until then enjoy!
by Carole Epp | Jan 7, 2013 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
by Carole Epp | Jan 6, 2013 | Uncategorized
The Italian word for clay, CRETA, seemed perfect to express our commitment to
creating an international reference point for ceramics and the arts in
the eternal city of Rome. Moreover, taken as an acronym, it spells out our
main activities: Ceramics, Residencies, Exhibitions, Teaching & the Arts.
c.r.e.t.a. rome offers artist residencies for ceramicists and visual
artists for periods of 6 weeks or 3 months. Artists have the
opportunity to focus on their art, whether it be creating a new body of
work, expanding a well-established oeuvre or allowing themselves to
draw inspiration from their surroundings and the centuries of culture
that define the eternal city of Rome. The residency includes a
semi-private equipped studio, private or shared apartments in the
historical center of Rome, and technical assistance in procuring
materials for their work, firings, etc. In addition, they will have
access to the wealth of galleries and exhibitions in Rome and beyond.
Each resident will have an opportunity to exhibit the work produced
during the residency period in a final show. A selection committee
composed of artists, art critics and historians carefully evaluates
applicants based on their artistic experience, merit and project
proposal.
For more information and application details, see http://www.cretarome.com/ or contact Lori-Ann Touchette at [email protected].
by Carole Epp | Jan 6, 2013 | Uncategorized
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UNDER THE INFLUENCE: THE HARLEQUIN EFFECT
Wednesday January 16, 2013, 6:30 – 8 pm
Speaker: Kate Hyde, ceramic artist
Ontario-based artist Kate Hyde discusses her work in the exhibition Harlequinade and
the impact of theatre on her artistic practice. The talk will be
followed by a focused tour of the Museum’s permanent collection in which
the artist will highlight objects that have influenced her development.
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The Vase Project celebrates the art of copying and the role
of the usually anonymous artist in Jingdezhen. Working with 101 blank
vases, the curators created a visual chain letter selecting factory
workers and painters from independent workshops around the city to copy
and hand‐paint a blue-and-white contemporary landscape based on their
original sketch of the smoke stacks of Jingdezhen.
The project took place sequentially over a two year period: the
first factory artist received the sketch which he/she copied on a blank
vessel which was then fired and passed on to the next artist to copy
on a new identical blank vase and so on.
The Vase Project exhibition reveals that even when working
by rote or mimetically the anonymous artist’s individual brushstrokes
contribute to a singular one-off aesthetic within mass‐production.
Curated by Barbara Diduk, Charles A. Dana Professor of Art at
Dickinson College, Carlisle, Pennsylvania, in collaboration with Zhao
Yu, Assistant Professor at the Hunan Normal University, Changsha, China
This exhibition explores the recent allure of China on Canadian
ceramicists. In the past few years, numerous ceramic artists have
attended residencies and exchanges in Fuping and Jingdezhen, replacing
the tradition of visiting Japanese folk (Mingei) potteries, in search of
authentic experiences.
The exhibition traces this new direction and how/if it has re-shaped
ceramic practice in Canada. Themes include contemporary Western
interpretations of Asian iconography, the relationship between the
handmade and mass production and the endurance of blue-and-white (Qing
Hua).
Go East features work by nine artists from across Canada
that were made in China or inspired by their experience of living
there. Artists participating in this exhibition are: Susan Collett, Jackson Li, Sin-ying Ho, Rory MacDonald, Sally Michener, Ann Mortimer, Paul Mathieu, Walter Ostrom and Diane Sullivan.
Curated by Rachel Gotlieb
PROGRAMS
JAN 14: PANEL DISCUSSION: Engaging with Ceramic Processes in Contemporary Art with artists Clint Neufeld and Linda Sormin. Moderated by Mona Flip, Curator of the Koffler Gallery
JAN 16: LECTURE: Under the Influence: The Harlequin Effect with artist Kate Hyde
JAN 25: LUNCH + LEARN: Susan Swan: The Western LightFEB 9: TRANSFORMATION BY FIRE: Hands-On WorkshopFEB 12: LECTURE: Married to Pottery: A Life of Uncertainty with Senior Curator Rachel GotliebFEB 14: JAMIE KENNEDY VALENTINE’S DINNER
111 Queen’s Park
Toronto, Ontario
M5S 2C7
Canada
tel +1 416.586.8080
[email protected]
www.gardinermuseum.on.ca
by Carole Epp | Jan 6, 2013 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Application Deadline: January 28, 2013
Notifications Mailed: February 28, 2013
Artist’s Reception: Friday, May 3, 2013
Exhibition Posted Online: Monday, May 6, 2013 by 10 AM Mountain Time
$35 Entry Fee: 3 entries, one accompanying detail per entry
The Second Bi-Annual Juried National is open to functional and sculptural ceramic artwork. It is our mission to provide a place for professionally minded ceramic artists to create new work and share the collective importance of art in our everyday lives. The Center hopes to extend our mission by showcasing the most current and thoughtful innovations and practices in the field of ceramics today.
JUROR:
Dan Anderson is currently a full-time studio artist following 32 years of teaching ceramics at Southern Illinois University Edwardsville (1970-2002). Anderson received his BS degree in art education from the University of Wisconsin-River Falls and his MFA degree in ceramics from Cranbrook Academy of Art. He is a NEA individual artist fellowship recipient plus he has been awarded six artist fellowships from the Illinois Arts Council. An avid wood firing enthusiast, he has his own anagama kiln at his Old Poag Road Clay and Glass studio/home, where he now spends 100% of his time. Red Lodge Clay Gallery, AKAR Gallery in Iowa City, Iowa, Gail Severn Gallery, Ketchum, Idaho and the Works Gallery in Philadelphia as well as other galleries throughout the United States represent his ceramics.
MERIT AWARDS:
Juror’s Choice Award $500
Director’s Choice Award $300
Curatorial Choice Award $200
For more information:
406-446-3993
Email Us
[email protected]
redlodgeclaycenter.comredlodgeclaycenter.com