European Ceramic Context 2014 – Educational Seminar

Educational Seminar

Venue: Royal Danish Academy School of Design Bornholm
Date:  12. Sep. 2014
Time: 9.00 – 17.00
Tickets: €80 regular
 / €50 students. Tickets are sold through Billetlugen.dk 


Investigating Ceramic Education
This
is a full day educational seminar, engaging educators and students in
discussions and problem solving on current issues and challenges in
ceramic education.

IntentionUsing
the international and diverse group of educators and students
participating in ECC2014 as a starting point, we invite professionals
and students engaged in ceramic education to participate in mapping and
exchanging knowledge and resources in the field of ceramic education.Participants
are asked to bring the current issues, questions or themes, which they
are engaged in at the moment and are seeking input for, in order to
improve the quality of their ceramic program or learning environment. The
seminar will facilitate the collective resources and knowledge of the
group, to generate solutions to challenges and questions raised by the
participants.

ParticipantsEducators and students 50/50.In
order to create a dynamic dialogue and exchange of imput and knowledge,
teachers and educators are encouraged to bring a student to the
seminar, .

Assignment for participants
Each participant
should bring 3 themes / issues / questions, in which you are engaged in
your practice as a teacher of ceramics and crafts education.

Students/faculty are encouraged to bring a visual presentation of a
project or one of their core concerns from a teaching
situation/challenge.

Examples of questions
we need more contacts
to international internships / how do we meet students individually in
critiques / can we use tutoring to………… / how can we include the
experiences of alumni students in the ceramic program / What does the
future call for, when it comes to education in ceramics? / If we were
allowed to bring only three elements from our present ceramic education
into the future; what would they be? / how do we incooperate
professional partnerships in teaching projects / Balance between
academia and craft skills / ……………..

Program:

  9.00 – 10.00       Introduction short mapping of questions / issues / themes
10.00 – 11.00       Lecture by specialist within learning and creativity11.00 – 12.00       Participatory seminar activities12.00 – 13.00       Lunch while still working in groups / exhibition opening of student projects at KADK13.00 – 15.30       Participatory seminar activities16.00 – 17.00       Summary and conclusion

http://www.europeanceramiccontext.com/events/educational-seminar#.U596jS92Yy5

movie day: Virtual Clay @ NCECA

Yeah! NCECA released the video of the first part of our Virtual Clay presentation at NCECA. Check out our introductions on you tube and then head over to The Tales of the Red Clay Rambler for a special podcast of the question and answer portion of our panel.

I hope you enjoy it. It was a blast to work with the amazing creative and professional minds of Adam Field, Ben Carter and Michael Kline. Ben did a great little write up over on his blog so head on over and check it out please. Would love to hear your thoughts on the panel.

residency opportunity: The DO GOOD-MJ Wood Memorial Short-Term Residency

Red Lodge Clay Center | Deadline: September 2, 2014 | Fee (USD): $10.00

The DO GOOD-MJ Wood Memorial Short-Term Residency is an
underwritten residency intended to support ceramic artists who wish to
develop a body of work with a socially-conscious spirit and a strong sense
of community engagement. Through a competitive application process one
candidate per year will be selected to work at the Red Lodge Clay Center
Studios with a full waiver of the residency fee. An additional stipend may
be available for selected projects to assist with travel and/or production
costs during residency.

Dates of residency: Any time between December 1, 2014 and May 31, 2015

www.redlodgeclaycenter.com

(Repli) (Dupli) Cate by Jason Desnoyers @ Medalta

Desnoyers-Banner-14
(Repli) (Dupli) Cate is an exhibition of ceramic work, which is
concluded from my year long residency at Medalta’s Artist in Residency
program, in Medicine Hat, Alberta.
I look to make work that creates an effect on the individual person
rather than, at first, the community at large. For me, attracting the
individual is about finding a passion and creating a bond between maker
and user. Original work, purposeful ceramics and creating conversations
are the main points that I look to answer within my ceramic medium.
I
describe the process I have investigated while at Medalta, as “cut and
paste”. Utilizing technical aspects of ceramics, related to throwing on
the wheel, handbuilding and mold work. My aim is to create forms that
are different but that also relate to my self. This comes from
explorations of design and personal preference, but also from outside
sources such as graffiti, geometry, sociology and mass media (Tumblr)

RECEPTION WITH THE ARTIST
Thursday, June 19, 2014
6 – 9pm
NO CHARGE
Cash bar
EXHIBITION
June 19 – July 26, 2014
Open during regular museum hours (9:30am – 5:00pm)
NO CHARGE (for Yuill Family Gallery entry)
@ MEDALTA
Yuill Family Gallery
713 Medalta Ave SE

JASON DESNOYERS BIO
Jason Desnoyers was born in Montreal, Quebec, Canada. Jason earned a
BFA in the field of Photography from Concordia University and recently
completed his BFA in Ceramics at Nova Scotia College of Art and Design.
During his time at NSCAD, Jason was awarded the “FUNSCAD Homer Lord
Scholarship Award” in recognition of his ceramic work and his
dedication.

Jason’s process relies heavily on altering the clay model or the mold
itself, decorative patterns related to tessellation, and a strong ideal
based on functionality. He is currently focused on experimenting with
glazing techniques, slip casting and altering, and the perfection of his
mold making practice.
While expressing his own personal identity is important, Jason hopes
that his ceramic art creates an identity that communicates with others,
through the function and aesthetic of the piece. He measures the success
of his pieces through the utilitarian purpose and decorative allure.

http://medalta.org/replicateduplicate

technical tuesday: surface decoration with foam cut outs

I posted these images on instagram yesturday and received a bunch of questions so I thought I’d included them here today for technical tuesday. Basically what I’m trying to do is add more depth to my functional work, and rather then return to stamps that I had used in the past I wanted to incorporate something that had a less precise or “refined” look to it. A technique that could be used from dish to dish but with different variations complementing how my dishes have unique hand drawn images rather than decals. Stamps to me equate to the same rigid repeativeness of decals. Not that I’m against either, I’m just looking for a different quality for this body of work.

Anyhow what I’m doing in cutting designs into thin sheets of foam (bought at Micheals here in Canada). I like how I can push and pull the images, use them on flat or rounded surfaces, layer them and ideally my aim is to incorporate them more and more into my work. It’s a technique I’ve seen many other artists use. It’s definitely not my idea, but hopefully I can develop my own spin on it.