by Carole Epp | Nov 1, 2014 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Artist Statement
Rickie Barnett
“ I have these two friends that pull on my heart in separate directions, so when examined it looks bigger than it really is.”
-Elliot Maldonado
My
work is an internal look at the preeminent issues of being bound to
another and the effects it has on individuals. In the struggle of trust
and loyalty love is present and a greater understanding of friendship is
found. Connectedness and the inner struggle to stay honest to myself
and to my loved ones is significant in my work. In the confines of a
conscientious head and heart, strength and integrity are born and
encourage continuity.
I
work figuratively creating characters based on the struggle of
balancing relationships, placing them in an open narrative where they
can revisit emotions experienced but not quite understood. Striving to
weave a web of connectedness based on internal reflections of my
relationships to the world around me
Literary,
visual storytelling and the art of songwriting play a large role in my
inspiration to create due to storytelling’s ability to allow an endless
yet controlled method of delivering feelings and emotions. The medium is
the apparatus; a means to an end. It is the vehicle which conveys
individual temperaments via storytelling.
Working
with clay lends to the idea of creation in and of itself. It gives the
opportunity to be more connected with the work. Pinching, coiling, and
slab building, I move the earth between my hands until a form starts to
take shape, changing with every movement of my fingers. As I watch it
go through the stages of drying i ponder it’s creation before I put them
through temperatures that a human could not withstand. Using oxides,
slips, underglazes and glazes I treat the surface in a painterly fashion
with brushes and washes before putting it through a series of firings.
Firing them again and again until the surface becomes rich and desirable
and the piece can speak for itself. Striving to provide a sympathetic
relation to narrative in the restlessness of living in one’s head space,
a sickness through which ideas are made.

Rickie Barnett graduated from California State University, Chico in 2013 with a BFA is studio art. He is currently the long term artist in residence at
Taos Clay in Taos, NM
by Carole Epp | Nov 1, 2014 | Uncategorized
Opening Reception: Saturday, November 8, 6-8 p.m. Exhibition continues through November 29, 2014.
UN-WEDGED features contemporary ceramic work, both functional and
sculptural, that is exceptional in concept and execution. Ceramics is
the principle vehicle of expression but may include other media. This year’s exhibition features artists from 20 states with work running the gamut from narrative to functional design.
Juried by Sam Chung
potterynorthwest.org/portfolio-item/un-wedged2014
by Carole Epp | Oct 29, 2014 | Uncategorized
Join us on First Friday, November 7th, from 6-9pm for a reception with our guest artist Sam Chung. The exhibition “Skyscapes” will be on display during Denver Art Week, and through January 2015.
PLEASE NOTE OUR GALLERY HOURS FOR NOVEMBER!!
We will be closed Nov. 16-28, reopening on Saturday Nov. 29. We wish you all a wonderful Thanksgiving Holiday!
Sam Chung comes to Plinth from Arizona State University where he teaches ceramics in the Herberger College School of Art. Using drawing as a basis for developing
form, Chung develops templates to define the clay parts. Then, using
both wheel and hand building techniques, combines the parts into complex
forms. His vessels reflect both historical and cultural references. Sam
Chung’s vessels, be they teapots, containers or tableware are
thoughtful, well designed and impeccably made.
“I am interested in the way pots have the
unique ability to serve a multitude of roles and functions. They can
exhibit decorative beauty, bring attention to more functional or tactile
concerns, and also create historical, cultural and experiential
associations. I work within the context of pottery to exploit its
universal familiarity and impose my own vision for merging historically
and culturally disparate influences. I am curious about the
relationships I see among various forms of creative expression from both
past and present, and try to bring forth a new language of pottery for
the future.”
Then, join us for our First Friday opening reception with Sam as we kick off
Denver Art Week on Nov. 7, from 6-9pm. This event is also free and open to the public and we hope you can join us!
Workshop:Sam Chung
ONLY 3 SPACES LEFT!! On November 8-9, from 9am-5pm, Plinth Gallery will host a two-day workshop with ceramic artist Sam Chung.
This workshop will focus on the process of
making shapes by altering wheel-thrown forms, and by assembling
slab-built forms designed from paper templates. Both techniques will
use drawing as a design tool for developing form. Discussion will focus
on development of ideas for pottery form in relation to history,
context, function and design. Additional discussion and demonstration on
the application of China paints to integrate surface decoration and
imagery with form will be presented.
Cost: $265.00 includes all materials and lunch both days.
3520 Brighton Blvd.
Denver, CO 80216
(303) 295-0717
by Carole Epp | Oct 29, 2014 | Uncategorized
THE CERAMICS CENTER
329 10th Ave SE suite 117
Cedar Rapids, IA 52403
US
www.theceramicscenter.org