by Carole Epp | May 20, 2016 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, technical tuesday
The Cultural Association Passepartout Faenza announces the first edition of the “Ceramic&Colours
Award”, a ceramic competition with the aim of promoting and enhancing
the research in the field of vitreous ceramic coatings for the finishing
of ceramic objects.
For 2016 edition the “Crawling” effect has been selected:


Prizes:
•I° place – “Ceramic&Colours Award” 2016 winner –
Gift voucher to be spent at Ceramic & Colours, value of 2500 €
•“Franco Santi” Award
Gift voucher to be spent at Ceramic & Colours, value of 1000 €
•nr. 3 Special Mentions
Gift voucher for the participation to one of the courses organized by the Cultural Association Passepartout Faenza
Download the Regulations (pdf)
Download the Application Form (pdf)
Download the Summary Regulations (pdf)
Info:
E-mail: [email protected]
phone: + 39 0546 46936
http://www.corsi-passepartout.it/contest/
by Carole Epp | May 20, 2016 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, technical tuesday
THEME: The Evocative Garden
DEADLINE: Wednesday, JUNE 15, 2016 (11:59pm Mountain time)
The Evocative Garden FULL prospectus(pdf)
If you encounter problems and require technical assistance with submission contact [email protected]
Location:
Disjecta Contemporary Art Center
8371 N Interstate Avenue
Portland, OR 97217
www.disjecta.org
March 4- April 1, 2017
JUROR/ CURATOR: Gail M. Brown, curator will select works for the
exhibition in coordination with NCECA Exhibitions Director Leigh Taylor
Mickelson.
ABOUT THE NEW NCECA ANNUAL
In 2017 NCECA launches a new annual exhibition platform that will
replace the Biennial and Invitational, which have been produced in
alternating years since 2010. The refreshed NCECA Annual exhibition
format is being developed in response to feedback from members. The
new model seeks to blend impactful attributes of each of the previous
models while also cultivating opportunity for curatorial practice in
regard to ceramic art.
NCECA’s aspiration is to evolve the exhibition model in a manner that
will enable exceptional work to be represented in a way that celebrates
concerns of materiality and conceptual rigor. One outcome that NCECA
will remain committed to will be that comparatively under-exposed
artists will have an opportunity to present their work with that of
established and important emerging creators in the field.
The NCECA Annual will enable the vision of a single curator to frame
an organizing concept and to support the exhibition’s foundational ideas
through the inclusion of works by up to five invited artists making
important contributions to the field. The remainder of the exhibition
will be selected through an open submission, blind review and selection
process. The single curator model will provide an annually recurring
opportunity for a particular point of view on the field to emerge as the
result of a unique, informed, and thoughtful vision.
ABOUT THE EVOCATIVE GARDEN
The National Council on Education for the Ceramic Arts is pleased to
announce that in 2017, esteemed curator of contemporary craft Gail M. Brown
will launch this new series with The Evocative Garden, an international
juried and invitational exhibition exploring natural and cultivated
worlds. Invited artists include Megan Bogonovich, Jess Riva Cooper, Kim Dickey, Linda Sormin and Dirk Staschke.
A breadth of implied and articulated dramas will be staged as a
personally defined natural landscape or more formalized garden scenario.
In works of ceramic sculpture, installation, object and vessel format,
each participant will offer a new or recent work- some potent
objects-as-metaphors, with sub-text and, others as choreographed scenes
with figuration or the figure/s implied in a verdant location, in
vocabularies from nuanced realism to personal symbolism. Each will be
designed to reference an array of issues- nature’s fragility and
sustainability, the wild and the tame, life’s appetites and dilemmas,
conflict and resolution, the everlasting and the temporal- social and
historic events, of the natural world and the human condition.
Artists remind us that nature and the articulated garden, as context,
stimulation and tactile allure, is a seductive, universal, ever present
enticement.
~Gail M. Brown, Curator
Portland identifies itself as The City of Roses. It abounds with lush
public and private gardens and the climate to nurture them. For The
Evocative Garden, the curator seeks submissions that visually define a
garden allusion, as subject, context or setting, according to their own
narrative and ceramic vocabulary.
http://nceca.net/annual-exhibition/
by Carole Epp | May 18, 2016 | Uncategorized

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ROB FROESEUnidentified Objects
May 18 – June 11, 2016 Opening Reception: Saturday, May 21, 2-4pm
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Rob
Froese makes clay objects of visual and tactile interest, for use and
contemplation, using a variety of clays and kiln firing methods.
A focus of his utilitarian work has been to explore light and dark
contrasting layers in clay body, slip, and glaze, working with an
immediacy and responding to the flow of actions and decisions that take
place during the many stages of production. His process of making
sculptural objects shares that aspect of ‘chance meeting choice.’
In this exhibition clay objects are presented that evoke nature, time
and contemplation; carrying the feeling of a found object from the
natural environment.
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Rob
Froese is a contemporary ceramic artist working in Canada and Japan.
He earned a B.A at the University of Saskatchewan in 1987 and a B.F.A
Ceramics at the University of Regina in 1994.
His work is included in the Saskatchewan Arts Board Permanent
Collection, the Moose Jaw Museum and Art Gallery, and private
collections in Japan, Canada and U.S.A.
106 – 2300 Broad St. (& 15th Ave.) • Regina • Canada • 306.522.0080 • www.matagallery.ca
Tuesday – Saturday 11am-6pm • evenings by appointment |
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by Carole Epp | May 17, 2016 | Uncategorized
Monday, August 8 – Friday, August 12, 2016
$700(CAD) + 5% GST
Registration Deadline: July 8, 2016
Enrollment limited to 12 participants
Register Now
Instructor: Clint Neufeld
Clint Neufeld will guide you through all aspects of mold making and
slip casting in this 5-day workshop. Participants will have the unique
opportunity to join Clint in creating a multi-piece mold of a piece of
machinery from Medalta’s boneyard.
Fee includes:
- 24 hour Medalta studio access
- Full access to the entire Historic Clay District site
- All support materials
Artist responsible for:
- Accommodations: Units are reserved at Medicine Hat College Student Housing; call 403.529.3820 to book.
For more information, contact [email protected]
Cancellation/Refund Policy
A full refund (less a $25 admin fee) is available if you cancel by
the registration deadline. If Medalta cancels, or if you need to cancel
due to medical reasons, you will receive a full refund. If you need to
cancel after the registration deadline, you will be refunded 50% of the
course fee. For cancellations less than two weeks from the start date of
the course, we will be unable to issue any refund.
medalta.org/mould-making-medalta