call for entry: The Ceramics Congress – An International Ceramic Film Festival 

2022 Juror: TBA

This will be the very first Ceramics Congress juried Film Festival! Our hope is to have a wealth of submissions from all over the world.

  • This is a juried exhibition. Juror’s decisions are final.
  • All entries must be complete and received by March 31, 2022 @ midnight CST.
  • Films must be submitted as a youtube link. This can be an unlisted video, but it can not be hidden or we won’t be able to access it.
  • The festival will be held online only.
  • Open to artists from anywhere in the world who are 18 and older.
  • Films that have been exhibited elsewhere are eligible.

PLEASE NOTE:

  • By submitting your film for consideration you are acknowledging that the work submitted is your own work and that you have full permission to use the footage. Please credit all collaborators and staff in the submission form.
  • By submitting your film to the festival you are agreeing to have your film be shown online and that still images of your film may be used for publicity purposes.
  • Please note: It is the sole responsibility of the applicant to secure clearance from all copyright holders of materials included in the submitted film. The Ceramic School will not be held responsible for the unauthorized inclusion of copyrighted materials within or relating to the submitted film. The Ceramic School reserves the right to disqualify any film with unauthorized copyrighted materials.

The festival opening will be held online as part of the Spring Ceramics Congress, exact date to be announced. The festival will also be available to view online after The Ceramics Congress.

About The Ceramics Congress:

The Ceramics Congress is a bi-annual online event bringing together ceramics artists from around the world for 5 days in May and November. It host workshops, artist talks, technical advice and demonstrations, exhibitions, vendor expo, makers market and many interactive social events. Thousands of attendees participate each time making this the number one online international ceramic event.

APPLY HERE.

call for entry: The Ceramics Congress – An International Ceramic Cat Show

Open to all artistic expressions of the theme in clay form. 

2022 Juror: TBA

This will be the very first Ceramics Congress juried exhibition! Our hope is to have a wealth of submissions from all over the world. All entries must be cat related somehow and be predominantly made out of clay to be considered.

  • This is a juried exhibition. Juror’s decisions are final.
  • All entries must be complete and received by March 31, 2022 @ midnight CST.
  • Images of submissions must be high resolution jpeg files.
  • Work can be for sale or NFS.
  • The exhibition will be held online only. You do not need to physically ship work.
  • Open to artists from anywhere in the world who are 18 and older.
  • Work must be made within the last 3 years.
  • Work that has been exhibited elsewhere is eligible.

PLEASE NOTE:

  • By submitting your images for consideration you are acknowledging that the work submitted is your own work and that you have full permission to use the images. If you need to credit a photographer please add that in the submission form.
  • By submitting your images to the exhibition you are agreeing to have your images be shown online in a virtual gallery space and that your images may be used for publicity purposes.

The exhibition opening will be held online as part of the Spring Ceramics Congress, exact date to be announced. The exhibition will also be available to view online after The Ceramics Congress.

About The Ceramics Congress:

The Ceramics Congress is a bi-annual online event bringing together ceramics artists from around the world for 5 days in May and November. It host workshops, artist talks, technical advice and demonstrations, exhibitions, vendor expo, makers market and many interactive social events. Thousands of attendees participate each time making this the number one online international ceramic event.

Apply Here!!!

Studio Tech position @ Medalta

If you’re a ceramic artist who is looking for their dream job, you’ve found it. Medalta is the best place to work! Ok, we may be a little biased, but if you know what quartz inversion is, you should definitely send in your application. Like fixing kilns? Then you’re who we’re looking for – a full time Studio Technician for the Medalta International Artists in Residence program.
To apply, send your cover letter & resume to [email protected] with the subject line Studio Technician before January 14, 2022.
See the full job description at https://medalta.org/employment-opportunities/

job posting: NSCAD Faculty Position

NSCAD University is pleased to announce a cohort hiring initiative of six faculty members who identify as Black, Indigenous or racialized. We seek applicants whose practice, research-creation and teaching will support programmatic missions of equity, inclusion, social justice, decolonization, anti-racism, human development, belonging and well-being.

Please visit nscad.ca/2022Cohort for more information about each position, including how to apply.

Kristy Moreno workshop this Sunday!

Kristy Moreno’s work is so incredible! We’re so lucky to have the chance to learn from her this weekend through The Ceramic School! Come hang out and learn all about creating fabulous figures with Kristy!

“Hello my name is Kristy Moreno and in this workshop I will be showing you how I create one of my characters out of clay! The way I like to build my characters is by building them solid, hollowing them out in sections and then reattaching them back together. This process allows me the freedom to draw with the clay and I love being able to improvise each figure. Before I begin, I just want to say thank you in advance for wanting to see my workshop! I hope you enjoy learning about my building process and please let me know if you try this method out for yourself in the future. Now, let’s get started!”

When you buy this workshop, you get:

  • Watch my Live Online Workshop
    • The workshop is taking place on 16th January 2022 at 10 AM PST, 1 PM EST, 7 PM CET
    • The workshop will be around 1 hour long.
  • Bonus Q&A
    • Join my bonus Live Q&A where I answer questions about my process face-to-face
  • Lifetime Access to the Replays
    • The workshop and the Q&A are recorded, and you will have lifetime access to it. You can watch it online, or download it to your device to watch offline at any time

About Kristy: “My current body of work examines the systems and bonds between social, political, and personal narratives. These narratives intersect to embody forms of relativity, healing and resilience. By producing these physically paused moments, I introduce a space for reflection which investigates the journey of my personal point of view, individual habits and character.

My sculptures and prints are my thoughts made physical from studying the human condition and my reactions to the injustices brought to light in the recent months. As I thought about the I.C.E. raids, concentration camps, and prisons that directly affect Black, Brown, and Indigenous communities today, I began experimenting with combining personal photographs, screen printed elements, and lyrics in order to tell a story that others could possibly relate to. In the way that Barry McGee and Margaret Kilgallen often depicted the residents of San Francisco, I chose to portray Chico organizers along with my own fictional characters to actively visualize a future abundant in mutual aid. When combining ceramics and printmaking, I participate in recording historical events, spreading awareness and thus manifesting brighter futures based in science fiction such as writer adrienne maree brown does when explaining that all activism is a form of science fiction. In overcrowding these physical spaces with overlapping details, I acknowledge the clutter that inevitably distracts us from practicing empathy and acknowledging our own humanity.

Kristy Moreno was born in the city of Inglewood, California and often found herself creating doodles of her favorite cartoons. Moving to Orange County inspired her to become involved in the art communities of Santa Ana, leading her to collaborate with group collectives including We Are Rodents and Konsept. She then attended Santa Ana College where she found an interest in ceramics that led her to transfer to California State University, Chico to pursue a BFA degree. Her work now spans across mediums from ceramics, illustrations and printmaking to bring awareness and visibility to an abundant future where mutual aid is possible.