job posting: Assistant/Associate Professor of Craft/Material Studies — Specialization in Clay – VCU

VCUarts Department of Craft/Material Studies (https://arts.vcu.edu/craft/) seeks a colleague for a tenure-track faculty position at the rank of either Assistant or Associate Professor with a specialization in clay. The ideal candidate will be a dynamic teacher, creative colleague, broad thinker and artist who will want to contribute to the progressive spirit of an established material studies program. The faculty member will teach specialized courses in clay that include handbuilding and large-scale construction. An understanding of and the ability to incorporate both analogue and digital practices in teaching and research methods is preferred. Our new colleague will be well versed in material knowledge and object-based practices and will offer students a framework through which important critical theories and historical craft knowledge can be emphasized and studied. The ideal candidate will demonstrate a commitment to pedagogical projects and coursework that support an inclusive, diverse, and accessible experience for all students. Additional interdisciplinary opportunities are available for an engaged colleague, including advanced studios, foundations, and graduate seminars.

VCUarts

Learn more about Craft Material Studies at VCUarts

Position Responsibilities

Virginia Commonwealth University operates on a semester system and the teaching load for this position will be five (5) courses a year. Courses will range from undergraduate to graduate level, including graduate committee service across the disciplines of the department. The successful candidate will have a broad understanding of the fields of craft and fine art in order to teach both undergraduate and graduate seminars with rotational topics.

The faculty member must have demonstrated experience working in and fostering a diverse faculty, staff, and student environment and will have experience in developing or the potential to develop initiatives, mentoring, and teaching that makes a meaningful art education accessible to underrepresented or disadvantaged groups.

Our colleague will demonstrate through research, teaching, and/or public engagement the richness of diversity in the learning experience and integrate multicultural approaches and perspectives into instructional methods and research tools.

The preferred candidate will have an active professional career and demonstrate a commitment to or potential for involvement in professional national or international organizations and bodies. The faculty member’s creative and research activity should make a significant contribution to a body of knowledge within an expanded definition of the discipline of craft, fine arts and ceramics as well as reflect a high standard of quality. Creative activities should be related to the program’s wider curriculum, be consistent with and support the broader mission and initiatives of the department, School, and University, and exhibit potential for or evidence of securing external funding for scholarship or creative expression.

As a member of a community-oriented, tight-knit department and School, the faculty member will provide service, including coordination of student activities and student exhibitions; serving on School/University committees; participating in open houses, portfolio reviews, and attending exhibition openings; and contributing to recruitment efforts for the department’s undergraduate and graduate programs. The faculty member will mentor student artists; supervise graduate students; and foster collaborative curriculum and research across the arts and broader campus.

Required Qualifications

  • MFA or equivalent professional experience and training that equates to an MFA;
  • Demonstrated experience working in and fostering a diverse faculty, staff, and student environment or commitment to do so as a faculty member at VCU;
  • Active artistic practice and reputation in the field;
  • Demonstrated effectiveness in studio critique and teaching beyond graduate school;
  • The faculty member will be required to have a well-established creative research agenda, and/or clear potential for external funding, as appropriate, and potential for scholarship or creative expression that complements and expands existing expertise in the department and School;
  • Proficiency with both Handbuilding and Wheel Throwing techniques.

Preferred Qualifications

  • Strong foundation in contemporary critical discourse;
  • Fluency in area of specialization, craft, and contemporary art;
  • Demonstrated ability to attract high-caliber graduate students;
  • Commitment to collaborative research and curriculum development in the arts;
  • Record of community-engaged teaching or extra-curricular activities.

Please see full post at https://www.vcujobs.com/postings/94283 for more details

call for submissions: Clay and Glass Artists

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The Canadian Clay and Glass Gallery is currently accepting submissions from Canadian artists from all backgrounds and career levels working in clay and glass for an exhibition on the theme of Diversity and Inclusion to be presented in Fall 2021.

We are pleased to announce an open call for submissions from Canadian clay and glass artists for a group exhibition with the theme “Diversity and Inclusion.” The exhibition will coincide with the 2021 Creative City Network Summit to be hosted by the City of Waterloo. We welcome submissions from artists who broadly identify with the theme of Diversity and Inclusion in their artistic practices and experiences including, but not limited to, gender identity, sexual orientation, race, religion, and mental or physical abilities. Multi-media works and those that incorporate new media within the use of clay, glass, and copper enamelling will be considered.

The selected works will be presented in the exhibition from September 2021 to January 2022. The Gallery will provide an artist fee (as set out by CARFAC) to the selected artists and cover the costs of shipping and insurance for the duration of the exhibition.

Located in Waterloo, Ontario, the Canadian Clay and Glass Gallery is Canada’s only gallery dedicated to the exhibition and collecting of contemporary Canadian clay, glass, and copper enamelling. Through exhibition programs, publications, a clay studio, and an archival centre, the Gallery supports research and creation by emerging, mid-career, and established artists. The Gallery is accessible, with the exception of exhibitions and events held in the John A. Pollock Family Courtyard, which is not fully accessible to visitors with particular mobility aids at this time.

We acknowledge that we live and work on the traditional territory of the Attawandaron, Anishinaabe and Haudenosaunee peoples. The Canadian Clay & Glass Gallery is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometers on each side of the Grand River.

We welcome submissions from all qualified applicants and encourage submissions from groups that are typically underrepresented in institutional spaces, including racialized and Indigenous individuals, LGBTQ2S+ identifying individuals, francophone individuals, Deaf persons, and persons with disabilities. If you require any accommodations during the submissions process, please contact [email protected] or 519-746-1882.

Submission Deadline
All materials must be emailed to [email protected] with the subject line “Diversity and Inclusion 2021” by Friday December 15, 2019. Notification of the results will be sent by February 2020.

Submission Materials
In a single document, emailed to [email protected], with the subject line “Diversity and Inclusion 2021”, please submit:

  1. A written statement describing the work that you propose for the exhibition as well as its significance to the theme (50-100 words). Works in-progress and concepts for works to be completed will also be considered.
  2. Up to 5 images of your work, including titles and dimensions of works. Provide sketches for works that have not yet been completed.
  3. An artist statement describing your practice, interests, and what the concept of diversity and inclusion means to you (up to 250 words).
  4. A CV that includes, at minimum, your education as well as any relevant exhibition, publication, and installation history.

For more information please contact:
[email protected]
519-746-1882

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call for entry: Form and Function

Gulf Coast State College Amelia Center Gallery is hosting its annual juried exhibition that explores the idea of the drinking vessel. The focus of the exhibit is on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. It is a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel – the cup. This year’s juror is Peter Pincus.

Full details HERE.

PLEASE NOTE DEADLINE HAS BEEN EXTENDED TO OCT 25th!!!