by Carole Epp | Nov 18, 2019 | call for entry
It is our mandate to showcase 100 ceramic vases by 100 Toronto artists, makers and designers who embrace clay in their practice.
Submission criteria:
– Must be working in the GTA (including Toronto, Durham, Halton, Peel and York Region and Hamiltion)
– Both emerging and established artists and designers are welcome.
– If you are a designer, your work can be produced by a local maker & maker must be credited in submission.
– Fresh, contemporary work that represents a range of aesthetics, techniques, and sensibilities.
– Solid execution, scale, originality, cleverness and innovation are definitely bonuses
– Submitted work must be completed, sketches and works in progress will not be accepted.
– Each applicant can submit up to 3 pieces.
– Image format in jpeg or pdf, must not exceed 1MB. Make sure your image(s) is labeled as followed: “100vases_lastname_firstname_worknumber.format.” For example: 100vases_smith_jane_vase1.pdf.
How do I apply?
Applications are done exclusively online. The deadline to apply for the show is December 18th at 11:59pm (est). We cannot consider applications after this deadline. There is no waiting list. Early-bird deadline is November 13 at 11:59pm (est.)
What are the application fees?
**EXTENDED** Early-bird application fee is $15. Due by November 27 at 11:59pm (est.)
Regular fee is $25. Due by December 18th at 11:59pm (est)
All application fees are non-refundable.
Full details can be found HERE.
by Carole Epp | Nov 17, 2019 | job posting
VCUarts Department of Craft/Material Studies (https://arts.vcu.edu/craft/) seeks a colleague for a tenure-track faculty position at the rank of either Assistant or Associate Professor with a specialization in clay. The ideal candidate will be a dynamic teacher, creative colleague, broad thinker and artist who will want to contribute to the progressive spirit of an established material studies program. The faculty member will teach specialized courses in clay that include handbuilding and large-scale construction. An understanding of and the ability to incorporate both analogue and digital practices in teaching and research methods is preferred. Our new colleague will be well versed in material knowledge and object-based practices and will offer students a framework through which important critical theories and historical craft knowledge can be emphasized and studied. The ideal candidate will demonstrate a commitment to pedagogical projects and coursework that support an inclusive, diverse, and accessible experience for all students. Additional interdisciplinary opportunities are available for an engaged colleague, including advanced studios, foundations, and graduate seminars.
More details HERE.
by Carole Epp | Nov 8, 2019 | Uncategorized
“Hey Red Clay Rambler fans, the leaves are falling here in the U.S. so it’s time for our Fall fund drive. Our goal for the month of November is to raise $12,000 to support our production costs. Throughout the year I receive emails from fans who talk about how this podcast helps them connect with other artists around the world. One recent listener said, “I appreciate all the voices you give a platform to, especially amazing women like Naomi Clement.” Giving voice to the many generations of ceramics artists that are working today is my mission and I need your help to accomplish it. You can get involved by making a donation through the Pay Pal donation portal above or by making a monthly pledge at patreon.com/redclayrambler.” – Ben Carter
On a personal note I want to encourage you to consider supporting Ben and all his work. As someone who understands the hours that are put into projects like this, I know it comes with sacrifices. Image above is from a visit Ben had in Saskatchewan in 2015 with artists Paula Cooley, Ken Wilkinson and Judy Tryon. I’ve had the honor of being interviewed by Ben a few times and sitting on the side lines while he has meet with and engaged with our community. Over the years of listening to Ben’s podcast I have found that his interviews inspire creativity and innovation, and also strengthen his listeners’ engagement with over-arching issues within our field, including the complex issues around making in contemporary culture, diversity in our field or sustainability. From the personal to the political and everything in between, his interviews draw out conversations that we all should be contemplating in our studio practices. Through the longevity of this podcast, he has created an oral history of contemporary clay that is unparalleled elsewhere. Tales of a Red Clay Rambler will be a resource for numerous future generations of makers, collectors, researchers and ceramic enthusiasts. – Carole
