Call for entry – Stanthrope Art Festival


Closing date: 20 November 2009

The Stanthorpe Art Festival 2010 is an acquisitive art award and exhibition, open to all forms of art media and organised by the Stanthorpe Art Gallery Society Inc. (SAGS). Mr John McDonald will be the Judge for The Stanthorpe Art Festival 2010.

Find more information about the gallery and the application form here.

New works by Brendan Tang @MAI in Montreal

Brendan Tang
Diyan Achjadi & Brendan Tang @MAI Gallery
Sugar Bombs
From November 12th to December 12th, 2009
Art curator: Kristen Lambertson

“Diyan Achjadi’s digital images and Brendan Tang’s ceramics are colourful, kitsch, and playful. Rooted in a neo-pop aesthetic and taking cues from toys, animated cartoons, and manga, their work touches on geopolitics, war, and military culture, often paradoxically glorified in advertising and the media.”

Opening ceremony: Thursday, November 12 at 5:30pm
Guided tour with art curator Kristen Lambertson: Thursday, November 12 at 5pm

www.achdiyan.com / www.brendantang.com
Diyan Achjadi

a bit wobbly but back at the wheel.

So I have to admit it’s been a very long time since I sat down at the wheel to throw so today was particularly joyful for me. Finally a bit of quiet time in the studio, the little one finally napping a bit better and longer. There are numerous reasons (excuses) as to why I haven’t been throwing; making a lot of figurative work, been developing a mad sewing obsession, life in general getting in the way and likely that which hinders it the most is an awful skin condition I developed on my hands back when I was pregnant that just doesn’t seem to want to go away. So I sorta listen to my dermatologist’s orders of not messing with clay too much (actually he told me to quit, but yah right!) I now wear gloves for everything I do which sucks with a tactile medium and throwing just hasn’t been the same since. It’s worse than throwing blind I reckon, the clay is too dry or too wet and I’m never sure, and the thickness – well lets just say I’ve made pots recently that rival my very first attempts 12 years ago in terms of weight. But I’m not complaining. It’s life and things happen, we are organic beings and our bodies do what they need to. Someday hopefully my hands will be back to normal, and until then I make do.

Today’s throwing was magical though. It’s been cold and raining lately, but today the sun is shinning gloriously through the studio window right onto my wheel giving me a good dose of vitamin D. And I’ve been playing around with some loosely thrown bowls that make me feel like dancing. As tight and rigid of a thrower as I normally am, drawn to more graphic designed lines and forms; there has always been a potter in me that craves the organic movement of the material, that enjoys the play. But i’ve always struggled to make work that was looser without it coming across contrived. I love it on the wheel, but once it goes through the kiln, they seem to tighten up in all the wrong ways. It’s an ongoing challenge and project for me, to make the perfect wobbly bowl.

I remember once having a conversation with a potter, whose opinion thankfully I didn’t care too much for in the first place. He told me that the reason I couldn’t throw organically was because I wasn’t a very good potter yet. Only good potters could throw loosely well. The comment urked me, as though my pots weren’t as good because I had chosen an aesthetic that was more geometric and rigid. Wobbly or rigid, they are just two different aesthetics, or languages to me. One is not better or worse than the other. It’s simply like learning another spoken language, it’ll help you to make your way in the world a bit easier; the more people you can communicate with. At least that’s how I feel about it. When I was younger I took french emmersion. I can sorta still speak french if I have a minute to think about it and you don’t speak too quickly to me. I love the language, I wish I had learned more languages, and hopefully I one day will. But today is the day to work on my wobble speak…

Got plans for Saturday?

If you happen to be in or near Baltimore this weekend, make sure you check out Adornment Adored


The show runs October 3rd – November 6th, 2009 but the opening reception is this Saturday, October 3rd, from 6 to 8 pm and we all know it’s so much more fun to go the opening!

Hosted by Baltimore Clayworks; the exhibition Adornment Adored, will showcase a range of artists who create “beautiful and exquisite jewelry made with ceramic, polymer clay or PMC elements.”


(Images – by BEST member, The Broken Plate Pendant Co.)

For more info contact Baltimore Clayworks

CALL FOR TOPICAL DISCUSSIONS AND NCECA CONNECTIONS

Deadline November 5, 2009

Topical Discussion and NCECA Connection group leaders are needed for the 2010 NCECA 44th Annual Conference in Philadelphia, PA.

“NCECA 2010-entitled INDEPENDENCE–celebrates the individual and the choices they make. An independent spirit is necessary to tear down existing walls, to explore new ideas and to create work that pushes conventional understanding of one medium. An independent spirit is also necessary to maintain tradition, to be bound loosely by historical precedent and function. NCECA 2010 celebrates the independent spirits of traditionalists and groundbreakers.”

NCECA is seeking a diverse group of leaders from its membership that will appeal to our conference attendees. Students (Undergraduate, Post-Bacc, Graduate), Studio Artists, Educators (K-12, Community College, University), Gallerists, Curators, etc. are all encouraged to apply!

Link to details and Online Submittal form