a bit wobbly but back at the wheel.

So I have to admit it’s been a very long time since I sat down at the wheel to throw so today was particularly joyful for me. Finally a bit of quiet time in the studio, the little one finally napping a bit better and longer. There are numerous reasons (excuses) as to why I haven’t been throwing; making a lot of figurative work, been developing a mad sewing obsession, life in general getting in the way and likely that which hinders it the most is an awful skin condition I developed on my hands back when I was pregnant that just doesn’t seem to want to go away. So I sorta listen to my dermatologist’s orders of not messing with clay too much (actually he told me to quit, but yah right!) I now wear gloves for everything I do which sucks with a tactile medium and throwing just hasn’t been the same since. It’s worse than throwing blind I reckon, the clay is too dry or too wet and I’m never sure, and the thickness – well lets just say I’ve made pots recently that rival my very first attempts 12 years ago in terms of weight. But I’m not complaining. It’s life and things happen, we are organic beings and our bodies do what they need to. Someday hopefully my hands will be back to normal, and until then I make do.

Today’s throwing was magical though. It’s been cold and raining lately, but today the sun is shinning gloriously through the studio window right onto my wheel giving me a good dose of vitamin D. And I’ve been playing around with some loosely thrown bowls that make me feel like dancing. As tight and rigid of a thrower as I normally am, drawn to more graphic designed lines and forms; there has always been a potter in me that craves the organic movement of the material, that enjoys the play. But i’ve always struggled to make work that was looser without it coming across contrived. I love it on the wheel, but once it goes through the kiln, they seem to tighten up in all the wrong ways. It’s an ongoing challenge and project for me, to make the perfect wobbly bowl.

I remember once having a conversation with a potter, whose opinion thankfully I didn’t care too much for in the first place. He told me that the reason I couldn’t throw organically was because I wasn’t a very good potter yet. Only good potters could throw loosely well. The comment urked me, as though my pots weren’t as good because I had chosen an aesthetic that was more geometric and rigid. Wobbly or rigid, they are just two different aesthetics, or languages to me. One is not better or worse than the other. It’s simply like learning another spoken language, it’ll help you to make your way in the world a bit easier; the more people you can communicate with. At least that’s how I feel about it. When I was younger I took french emmersion. I can sorta still speak french if I have a minute to think about it and you don’t speak too quickly to me. I love the language, I wish I had learned more languages, and hopefully I one day will. But today is the day to work on my wobble speak…

Got plans for Saturday?

If you happen to be in or near Baltimore this weekend, make sure you check out Adornment Adored


The show runs October 3rd – November 6th, 2009 but the opening reception is this Saturday, October 3rd, from 6 to 8 pm and we all know it’s so much more fun to go the opening!

Hosted by Baltimore Clayworks; the exhibition Adornment Adored, will showcase a range of artists who create “beautiful and exquisite jewelry made with ceramic, polymer clay or PMC elements.”


(Images – by BEST member, The Broken Plate Pendant Co.)

For more info contact Baltimore Clayworks

CALL FOR TOPICAL DISCUSSIONS AND NCECA CONNECTIONS

Deadline November 5, 2009

Topical Discussion and NCECA Connection group leaders are needed for the 2010 NCECA 44th Annual Conference in Philadelphia, PA.

“NCECA 2010-entitled INDEPENDENCE–celebrates the individual and the choices they make. An independent spirit is necessary to tear down existing walls, to explore new ideas and to create work that pushes conventional understanding of one medium. An independent spirit is also necessary to maintain tradition, to be bound loosely by historical precedent and function. NCECA 2010 celebrates the independent spirits of traditionalists and groundbreakers.”

NCECA is seeking a diverse group of leaders from its membership that will appeal to our conference attendees. Students (Undergraduate, Post-Bacc, Graduate), Studio Artists, Educators (K-12, Community College, University), Gallerists, Curators, etc. are all encouraged to apply!

Link to details and Online Submittal form

Call for Artists: Calgary Clay Arts Association Christmas Sale, Calgary

Deadline for entry is October 15

The Calgary Clay Arts Association is looking for artist for their upcoming Christmas Sale. This year’s sale will be held at Bearspaw Lion’s Hall in Calgary on November 1st from 10am – 4pm. $2 admission fee/donation in support of the Calgary Food Bank.

Vendor Information:
1) Entry fee is $25, submitted before or on October 15, 2009. (CCAA special: New members get your 2010 membership included!)
2) Participants must be CCAA members.
3) Entries accepted, before or on (postmarked) October 15, 2009, which includes your SIGNED LOAN AGREEMENT form
4) Sale items: the commission split is 90% artist, 10% CCAA. (Insurance for the work is the responsibility of the artist)
5) Setup by the artist, before the show, no later than 9:30 am, November 1, 2009.

For more information and vendor forms please contact the Calgary Clay Arts Association: www.calgaryclayarts.org

Artist talk and Exhibition


Artist’s talk: “Family, Race and Culture: Artistic Influences,” Beth Lo, Professor of Art, University of Montana

Date: Monday, October 5th, 2009
Time: 7:30 pm
Where: Carleton College
Carleton College is a small, private liberal arts college in the historic river town of Northfield, Minnesota.

Also make sure to check out In Between running September 18 – October 17, 2009 @the Carleton College Art Gallery


“In Between, the Art Gallery’s exhibition, pairs Kelly Connole with Beth Lo – Connole’s college ceramics teacher. Beth Lo explores her Chinese American heritage through installations of ceramic figures and recently, children’s books. Lo creates clay “kids” who embody both American and Asian stereotypes, and also reference the rich history of Asian ceramics. Lo, who is Professor of Art at the University of Montana, lists myriad sources of inspiration. “I enjoy investigating, celebrating and sometimes satirizing traditional Asian aesthetics, including calligraphy, origami, scrolls, Socialist Realist artwork, Chinese souvenirs and toys, the game of mahjong, as well as Ming and Tang dynasty ceramics.”

Check out more works from the exhibition online here.