“Last September, printing began on the architect’s first prototype of a two-room house in Massa Lombarda, a quiet comune east of Bologna, Italy. Named TECLA in a nod to an imaginary place in Italo Calvino’s Invisible Cities, the home was engineered by Italian company WASP to become the very first to be entirely printed from a locally-sourced clay that is both biodegradable and recyclable. That material is extruded through a pipe and set in place using a Crane WASP, a modular 3D printing system that can print objects as large as 21 feet in diameter and as tall as nine feet.”
Read the full article in The Architect’s Newspaper HERE
Studio welcomes article pitches from both emerging and established writers, academics, scholars, and journalists writing about contemporary Canadian craft and design and related stories. We are interested in original ideas, unique voices and perspectives, little-known histories, and anything that challenges the status quo of craft and design and the ideas around making.
Studio Magazine is a national publication committed to thoughtful, careful, and engaging writing about contemporary Canadian craft and design. We also have an ongoing commitment to supporting and mentoring writers.
Please send pitches to [email protected]. We review all pitches, and those that are accepted for publication will be contacted by email. Payment is upon publication.
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Perceived Value is a self-produced podcast during which Sarah Rachel Brown interviews artists about about their careers, personal lives, failures, accomplishments, and asks the question: how do you make it all happen?
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Sarah Rachel Brown is the host and producer of Perceived Value. She currently lives in Philadelphia, PA where she holds down a full-time day job and hustles as a contemporary jeweler on her nights and weekends.
