Ippodo Gallery is pleased to announce the opening of The Garden of Dreams: Porcelain Stories by Yuki Hayama, the artist’s second solo exhibition at the gallery. This show of over 20 works that blend the distinction between painting and ceramics will be available for online viewing starting December 3 and available for in person viewing in the spring of 2021.
The Citizens of Craft Virtual Market is a collaboration between Fabrique 1840 and the Canadian Crafts Federation. Our goal is to promote craft artists and expand their online reach. Supported by Canadian retailer Simons, ‘Fabrique 1840’ is a vital showcase for handmade products, connecting craft artists with the notoriety and visibility of the broader Simons.ca website.
For context, through the simons.ca platform, Fabrique 1840 reaches:
The Citizens of Craft Virtual Market will launch online on October 1, 2021, and special promotions will last 1 month. Products selected for the market will remain on the platform after the run of this promotion, at the discretion of Fabrique 1840.
The Canadian Crafts Federation is offering the opportunity for active members of the Provincial and Territorial Craft Councils to apply to this virtual market, for free. If selected, there are no additional registration fees for the event. However, participating artists must comply with Fabrique 1840’s rules of use that are in place for all of their business partners. These rules are described in the business model below.
If your work is selected for the virtual market, online product descriptions will be written and translated by the Fabrique 1840 team.
To submit your application, you must:
To submit your application, fill in the survey and upload your documents here.
More on their website HERE.
Photo by Ironside Photography / Stephen Ironside.
April 24th marks the commemoration of Armenian Genocide Remembrance Day, a day to honor the memories of 1 million people killed in the early 1920s by the Ottoman government in Turkey. No sitting U.S. president has marked the occasion for fear of alienating the Turkish government, and sharing the stories of those whose lives were taken—or even calling this act of attempted ethnic cleansing a genocide at all—remains controversial for some.
Artist Aimée Papazian pays tribute to her lost and displaced ancestors with “Voyage of Lost Keys,” a permanent installation at Fayetteville Public Library, in Fayetteville, AR. A murmuration of 2,000 porcelain keys, among which is a replica of a key that was found in the ashes of her grandfather’s pillaged home in Turkey, the piece unlocks the history of Papazian’s family and of her people. It also speaks to refugees everywhere, including in our own time. “‘Voyage of Lost Keys’ is a way to imagine a mass migration—a way to think about people who have lost their homes and their place in the world as still being somehow connected to each other,” Papazian says.
Hrag Vartanian, editor of Hyperallergic, calls the work “moving”; The Arkansas Democrat-Gazette calls it “magical.”
www.aimeepapazian.com
Zhang’s work weaves in and around the intersections of design and craft fostering a practice within both Industrial Design and Ceramics. Fusing technology into traditional clay techniques, his pieces combine elements of furniture, sculpture, installation and experimentation. His forms are inspired from his travels, captured in his photography, from the mountains of Longmen Grottoes in Luoyang, China to the interior volcanos of Iceland. In Fall 2021, Zhang will enter the Global Innovation Design (MA) at Royal College of Art in London in hopes to further his aesthetic fusions and broaden expectations of what clay can do.
This series highlights the intersections of art, design, theory, social justice and research in interviewed conversations within the RISD community, its faculty and students.
Written | Directed | Edited by Holly Gaboriault [MA Global Arts + Cultures ’21]
Original Music by Antonio Forte
