Matthew Chambers is a British artist specialising in large intricate thrown ceramic sculptures. His tirelessly detailed and complex works bring together seemingly impossible forms, absorbing ceramic apertures and echoing layers of colour, shape and texture.
matthewchambers.co.uk
Music by Oscar Webster Bell
oscarwebsterbell.com
The Whitegold and Garden Projects aim to make creative, innovative and activated public spaces that use art and gardening to celebrate the culture of clay country, enhancing its sense of place.
Current Opportunities
The Whitegold Project wishes to commission three artists to create art in public spaces for St Austell that inspires, challenges and reflect on this unique place. Off the main tourist trail, St Austell in Cornwall is an industrial town moulded from the china clay beneath its feet and which is now looking to creatively reshape its future. The project has the people of St Austell at its heart and is a St Austell Community Interest Company not-for-profit project in partnership with local business, local authorities and cultural organisations. Other opportunities will be posted here as they come on line. To keep up to date sign up to our mailing list.
TREMEN (passage)– a small covered passageway called Grants Walk: Budget £20,000
At the start of Grant’s Walk, coming from the town centre, is a covered passageway that is an important connection into the town from one of the main car parks at Priory Rd. It joins the main street in town, Fore St, with Biddicks Court behind. A contemporary artist, maker or designer is needed to lead on its refurbishment and create art for this space that makes a positive contribution to the environment. Download the full brief:
Whitegold Artists Brief TREMEN. Apply via Curator Space.
OPE (alley) – Chandos Place, an alley in the heart of the town: Budget £30,000
Artists, makers and designers are wanted to apply for this commission for Chandos Place, one of St Austell Town Centre’s main pedestrian thoroughfares which connects Fore St with Old Vicarage Place. It is a challenging space but one with scale and presence, and an important connection from the main street to the central square in St Austell.
Download the full brief Whitegold Artists Brief OPE Apply via Curator Space.
TREUDHOW (threshold)– a focal point on the western end of Fore St: Budget £15,000
We are seeking an exciting and innovative artist, maker or designer to create a new work for an important threshold at a key entrance into the town centre on the old Bodmin Rd. The location is also the start of one of the main ways out of the town towards the Clay Country – the villages that sit the ridge above St Austell town. In doing so the road passes Menacuddle Well and Wheal Martyn Clayworks – a museum dedicated to the culture of clay in the area. It also connects to the Clay Trails – a network of cycle and walking routes joining together Clay Country, the Eden Project and the town.
Download the full brief Whitegold Artists Brief TREUDHOW Apply via Curator Space.
CLOSING DATE FOR EXPRESSIONS OF INTEREST FOR ALL OF THE ABOVE IS THE 21st NOVEMBER 2019
The Saskatchewan Craft Council Gallery presents solo, two-person, and group exhibitions reflecting craft history, contemporary practice, and innovation. The SCC Gallery policy prioritizes showing Saskatchewan artists and curators, but aims to include at least one touring or out-of-province exhibition each year.
For each of the six exhibitions accepted to the Saskatchewan Craft Council Gallery annual schedule, the SCC will provide installation assistance; insurance; promotion; documentation; administrative labour; and artist fees to be paid to the artist(s). To assist the SCC with the cost of the aforementioned labour and staffing, a 40% commission will be retained on any sales resulting from an exhibition.
The SCC encourages applications from self-identified members of under-served communities. We encourage submissions from Indigenous artists, artists with disabilities, new Canadians as well as people from visible and invisible minorities.
The SCC Gallery is committed to showcasing fine craft artists; other forms of visual art may be considered in addition to an exhibition that has a primary focus on craft.
Please ensure your application is complete. Applicants who submit incomplete, inaccurate, or misleading information may be deemed ineligible for consideration.
Each applicant must fulfill the requirements of the Exhibition Application Package.
Download the introduction and a helpful checklist here: SCC Exhibition Application Introduction and Checklist
Download the Application form here: SCC Exhibition Application Package
If you are having trouble opening the PDFs in your browser please try the following steps:
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If all else fails, email Steph and Maia at [email protected] and they will email you the PDF documents directly.
The Exhibitions & Education Coordinators along with the SCC Curatorial Committee assess all applications annually. Information from each applicant is sent to members of the Curatorial Committee prior to the annual review meeting, where proposals are considered along with their support material. The Curatorial Committee acts in an advisory capacity to the Exhibitions Coordinators. Applicants will be informed of the Curatorial Committee and Exhibitions Department’s decisions following the curatorial meeting in late December – mid January of each year. Additional Curatorial Committee meetings may be scheduled as decided by the Exhibitions and Education Coordinators.
In preparing your application, please consult the SCC’s archive of previous exhibitions, as well as the SCC gallery floorplan.
You can also refer to this blog post for more information or tips for submitting your proposal!
Questions can be directed to:
Stephanie Canning or Maia Stark
Exhibitions and Education Coordinators
[email protected]
306-653-3616 ext 2
VCUarts Department of Craft/Material Studies (https://arts.vcu.edu/craft/) seeks a colleague for a tenure-track faculty position at the rank of either Assistant or Associate Professor with a specialization in clay. The ideal candidate will be a dynamic teacher, creative colleague, broad thinker and artist who will want to contribute to the progressive spirit of an established material studies program. The faculty member will teach specialized courses in clay that include handbuilding and large-scale construction. An understanding of and the ability to incorporate both analogue and digital practices in teaching and research methods is preferred. Our new colleague will be well versed in material knowledge and object-based practices and will offer students a framework through which important critical theories and historical craft knowledge can be emphasized and studied. The ideal candidate will demonstrate a commitment to pedagogical projects and coursework that support an inclusive, diverse, and accessible experience for all students. Additional interdisciplinary opportunities are available for an engaged colleague, including advanced studios, foundations, and graduate seminars.
Learn more about Craft Material Studies at VCUarts
Virginia Commonwealth University operates on a semester system and the teaching load for this position will be five (5) courses a year. Courses will range from undergraduate to graduate level, including graduate committee service across the disciplines of the department. The successful candidate will have a broad understanding of the fields of craft and fine art in order to teach both undergraduate and graduate seminars with rotational topics.
The faculty member must have demonstrated experience working in and fostering a diverse faculty, staff, and student environment and will have experience in developing or the potential to develop initiatives, mentoring, and teaching that makes a meaningful art education accessible to underrepresented or disadvantaged groups.
Our colleague will demonstrate through research, teaching, and/or public engagement the richness of diversity in the learning experience and integrate multicultural approaches and perspectives into instructional methods and research tools.
The preferred candidate will have an active professional career and demonstrate a commitment to or potential for involvement in professional national or international organizations and bodies. The faculty member’s creative and research activity should make a significant contribution to a body of knowledge within an expanded definition of the discipline of craft, fine arts and ceramics as well as reflect a high standard of quality. Creative activities should be related to the program’s wider curriculum, be consistent with and support the broader mission and initiatives of the department, School, and University, and exhibit potential for or evidence of securing external funding for scholarship or creative expression.
As a member of a community-oriented, tight-knit department and School, the faculty member will provide service, including coordination of student activities and student exhibitions; serving on School/University committees; participating in open houses, portfolio reviews, and attending exhibition openings; and contributing to recruitment efforts for the department’s undergraduate and graduate programs. The faculty member will mentor student artists; supervise graduate students; and foster collaborative curriculum and research across the arts and broader campus.
Please see full post at https://www.vcujobs.com/postings/94283 for more details
