A.I.R Vallauris Small Art Objects – 4th edition «Fire for effect»

 
Located in the heart of the old town of Vallauris, France, the non-profit association A.I.R. Vallauris (Artists in Residence) welcomes international artists from all horizons to meet and collaborate with local artists and to research and create and exhibit new work in an artistic laboratory created specifically for them. The Association was created in October 2001 and has since hosted over 250 artists of more than 30 nationalities. In addition, artistic events are organized, including «Small Art Objects», from July 1 to September 24, 2017.
Small Art Objects is a fund raising undertaking sponsored by A.I.R. Vallauris and consists of a competition, involving the creation of small art objects, their exhibition and sale. A call for entries is communicated to solicit artist participation from all over the world. Small art objects can be made from any material, but are restricted in size to 15 cm x 15 cm x 15 x cm. Creations must also be consistent with the theme determined for the undertaking. Timing for this exercise is co-incident with the Fete Picasso, a popular celebration that takes place annually in Vallauris in honour of its most famous artist in residence. From 1946 and for 10 years, Picasso discovered ceramics with a passion in Vallauris.
Exhibition
The theme for the fourth edition of Small Art Objects is «Fire for effect», and takes place in Vallauris from July 1 to September 24, 2017. During the Picasso festival, on July 15, ten artists were awarded prizes by an international jury of Art specialists. More than one hundred creations by artists from twenty countries were first exhibited in the Atelier A.I.R. Vallauris located at 21 avenue de Cannes. For the Act II of this event, the pieces are currently exhibited at the «Café de France» Gallery, 1 avenue de Cannes in Vallauris.
Online exhibition and auction
The website www.SmallArtObjects.org has been created specifically for this event. All Small Art Objects are for sale by means of an
auction until September 24 at 10 pm Paris time (GMT + 1). All purchased works can be shipped internationally after the event.
Catalogue
Published through A.I.R. Vallauris Press, this catalogue presents the 121 Small Art Objects submitted for the event with photographs
and material descriptions. Biographies of the artists from 20 countries are also included. The book is 108 pages and written in both
English and French. It can be purchased in the Gallery Aqui Siam Ben and also ordered online from the Small Art Objects website.

movie day: Ramen Making by Ayumi Horie

 

The cooking and making of dragon and Menbachi Bozu ramen bowls by Ayumi Horie.

Special thanks to Ai Kanazawa, Chloe Horie, Janine Grant, and all the educators at the New Works session at Haystack Mountain School of Crafts for their participation, support and advice.

ayumihorie.com

job posting: Educational Art Technician, Ceramics

Do you believe in the power of ideas, possibility, and in building community? ACAD is looking for an innovative Educational Art Technician, Ceramics who is excited to contribute to a creative learning environment and provide support to our faculty and guidance to our students in Ceramics.

This position normally has an annual recurring start of late August to end of May and regular hours of work are 35 hours per week.

Why ACAD?

A leading centre of education and research since 1926, ACAD energizes art and design in Canada and internationally. We engage the world, create possibilities, and connect with brilliant minds in all corners of the globe. Above all, we are passionate about art and design and the people who create it. Calgary is our home base – a vibrant, cosmopolitan urban centre, a safe and friendly atmosphere, and outstanding potential for adventure in nearby mountain parks. We hope you will join us at ACAD (where creativity matters).

About the School of Craft + Emerging Media, Ceramics Program

In the Ceramics program students explore the role of function, sculptural approaches, emerging technologies, historical precedents, and contemporary practice within a comprehensive, studio-based and theoretical program of study.

>>Click here to find out more about SCEM, Ceramics Program

The Opportunity

(Competition #1718-SE-AP-06)

Reporting to the Manager, Academic Administration and accountable to the Chair of the School of Craft + Emerging Media and working with the Lead Educational Art Technician, the incumbent provides general supervision and oversight of the facility, equipment, processes and materials to ensure safe and effective instructional support during class time and ensures standard operating practices are followed to support student studio practice during general facility access hours.

Primary duties/responsibilities include:

  • Conducts demonstrations, training and orientation for faculty, students and staff on standard operating practices for the uses of equipment, processes and materials handling, including daily clean-up and equipment/materials storage
  • Advises students with respect to program-related technology, equipment, processes and materials to meet curricular objectives; provides guidance and support for the installation of student work
  • Works in consultation with the Health and Safety Officer and other Educational Art Technicians to maintain current and consistent documentation of hazard assessments and standard operating practices
  • Prepares and maintains program spaces including classrooms, studios, workshops and monitors facility users to ensure appropriate health and safety practices are followed
  • Maintains  materials and equipment inventory, performs preventative maintenance and repair as necessary

The successful candidate will have:

  • A Four (4) Year Diploma or Baccalaureate Degree in fine art with a relevant subject area specialization
  • A Minimum of three (3) to five (5) years’ experience as a practicing artist or technician, with knowledge of relevant studio practices and experience in training students
  • A Current Standard First Aid certification and Workplace Hazardous Materials Information System (WHMIS training). Proficiency with ceramic technologies, including 3D modelling, printing and decal printing is preferred
  • Demonstrated proficiency with electric and gas kin operation (reduction, oxidation and soda), hand building and wheel techniques, glaze technology, studio and equipment maintenance, clay reconditioning, slip casting and mold making
  • Demonstrated experience with wood and metal fabrication
  • Demonstrated experience with art installation and preparatory techniques
  • Excellent communication skills with ability to provide constructive support, guidance and mentorship to students, faculty and staff
  • Demonstrated ability to promote home studio etiquette, best practice and conflict management
  • Excellent organization and planning skills, meeting multiple deadlines and commitments
  • Proficiency with Microsoft Office, Rhino and Adobe Creative Suite applications.
  • Comfortable and able to work safely at heights

Working Conditions

  • Works in a studio environment which includes contact with hazardous equipment and materials. Heavy lifting of up to 50lbs is required regularly. Personal protective equipment is required for operation of certain equipment and processes. Standing and/or sitting for lengthy periods. Occasionally works in an office environment.

As a member of the AUPE bargaining unit (Local 071/006), this regular recurring position falls under a classification 7 (seven). The starting annual salary is $59,244 – 63,468 dependent upon skills, education and experience, and is pro-rated based on actual hours worked.

Full details here.

Can Craft? Craft Can! – opening exhibition

Opening reception:  Friday, September 15th 6-9pm Art Gallery of Burlington
Aligning with Canada’s 150th anniversary, the Biennial will serve as a spotlight to celebrate and educate the public and craft professionals alike about the importance that Craft plays in our everyday lives. The biennial will provide historical contextualization of Canadian craft practise and offer critical insight into its future.
Comprising of four exhibitions and a two day conference, the Canadian Craft Biennial, in its inaugural year celebrates with Canada’s 150th anniversary, serving as a spotlight to celebrate and educate the public and craft professionals alike about the importance that Craft plays in our everyday lives. The biennial will provide historical contextualization of Canadian craft practise and offer critical insight into its future.

Can Craft? Craft Can! includes the work of:

  • Pierre Aupilardjuk, Carole Baillargeon, Louise Lemieux Bérubé, Beth Biggs, Robert Brown, Teresa Burrows, Karen Cantine, Bridget Catchpole, Kai Chan, Janice Wright Cheney, Brigitte Clavette, Jess Riva Cooper, Brad Copping, Marie-Andrée Côté, Gabrielle Desmarais, Brothers Dressler, Robin DuPont, Susan Edgerley, Michael Flaherty, Reid Flock, Pascale Girardin, Matt Gould, Igah Hainnu, Barb Hunt, Elisapee Ishulutaq, Jean Kagyut, Kawtysie Kakee, Benjamin Kikkert, Catherine Kiliktee, Elsie Klengenberg, Sandra Ledingham, Lou Lynn, Janet Macpherson, Michael Massie, Bettina Matzkuhn, Paul McClure, Caroline Ouellette, Greg Payce, Luce Pelletier, Gord Peteran, Claudio Pino, Anne Drew Potter, Elizabeth Quiningnaaq, Shona Rae, Pamela Ritchie, Ruth Scheuing, Amir Sheikhvand, Wendy Shirran, Eva Siakuluk, Greg Sims, Anita Singh, Cheryl Wilson Smith, EartHand Gleaners Society, Despo Sophocleous, Susan Surette, Winnie Tatya, Ningeokuluk Teevee, Yvonne Thomas, Barbara Tipton, Anna Torma, Annie Tung, Jessica Vellenga, Angelika Werth, Zane Wilcox