call for entry: America’s Clayfest lll
NOTE: THIS IS OPEN TO INTERNATIONAL ARTISTS.
NOTE: THIS IS OPEN TO INTERNATIONAL ARTISTS.
The Bray will be awarding ten $5,000 fellowships along with ten short-term summer scholarships in 2015!
“Being
able to provide this generous financial support to each and every
resident artist helps the Bray fulfill its mission and reinforces its
commitment to furthering ceramic art.”–Steven Young Lee, Resident Artist
Director
If you have any questions about the Bray’s resident or fellowship opportunities please contact Brad Robinson at 406/443-3502 ext.10 or at [email protected].
For technical support with the online application contact [email protected].
Your completed application must be received on or before
March 1, 2015.
The Zakin Apprenticeship
Sponsored by the Allied Arts Foundation, Seattle, Washington
Managed by Maryon Attwood and Robbie Lobell, Cook on Clay LLC
The Zakin Women in Studio Arts, Design, Business, and Manufacturing
Apprenticeship Program is an exceptional opportunity for a potter to
learn the combined skills required for today’s contemporary studio
artist, including the business of art, design, and related manufacturing
processes.
Apprenticeships are one- to two-year, hands-on learning opportunities.
The Apprentice is provided with studio space, use of studio equipment,
and inexpensive living quarters. There are nominal materials and firing
fees. Apprenticeships require 25 hours per week of work for Cook on
Clay. The Apprentice learns the importance of being part of a team, and
is mentored and tutored in studio work, design and manufacturing
practices, and managing a small artisan-based business.
Cook on Clay has two educational settings:
Whidbey Island offers a large arts community, small family farms and
unsurpassed natural beauty. Hiking, biking, kayaking and beachcombing
are readily accessible in this spectacular corner of the country. An
array of sales opportunities is available, including cooperative
galleries, farmer’s markets, studio tours, and craft fairs.
So first off I have to give credit for this little tip to the Saskatchewan Craft Council. I learned this trick when I worked there years ago. I personally have a complete hatred for those ridiculous static empowered styrofoam packing peanuts. They get everywhere. My cats try to eat them. The kids try to break them into the smallest particle size possible. They suck, but throwing them out isn’t an option. I recycle all of my packing materials for the cost as well as environmental savings. But a quick and easy solution is to put the peanuts in plastic bags (also recycling and giving those bags a second life). Packing these around your art will give it the same support as if they were free floating in the box but without the risk of them getting everywhere. Ridiculously simple solution.