by Carole Epp | Mar 13, 2014 | Uncategorized
Noosa Regional Art Gallery, QLD, 28 March – 11 May 2014
A provocative and engaging exhibition of work by Australian artists using clay in unexpected and surprising ways, HYPERCLAY: Contemporary Ceramics highlights the versatility of this time-honoured material and, in doing so, re-imagines its possibilities.
HYPERCLAY profiles eight artists at various stages in their
careers whose current practice is taking ceramics into bold new
territories. Whether printing with clay, transforming rejected ceramic
objects or playing at the intersection of the digital and the handmade,
the artists in HYPERCLAY are forging new pathways in Australian ceramics.
HYPERCLAY features the work of Walter Auer, Roderick
Bamford, Stephen Bird, Jacqueline Clayton, Andrea Hylands, Addison
Marshall, Pip McManus and Paul Wood.
A collection of over 30 short videos have been produced to accompany
the exhibition, ranging from artists interviews to curators, academics,
collectors and gallerists, commenting on why they find a particular
artist so exciting, through to ceramic students expressing what inspires
them about the work in the show. These videos will be housed in an
easily navigated, tablet-housed application, testing the waters of fully
integrated digital content into a traditional exhibition space. The
digital content is not supplementary – engagement with the digital is
paramount to truly understand the works on show.
Over eight weeks, during the opening exhibition at Object Gallery in
Sydney, Object Eye profiled each of the artists involved. You can see
these profiles, including videos and images of the work, by clicking here.
The iPad app developed as part of HYPERCLAY: Contemporary Ceramics is available as a free download, taking the form of a video-based digital catalogue. For more information on the app click here, or to go directly to the App Store to download (for iPad only) click here. (Please note that it is a large file, and we recommend WiFi to download.)
HYPERCLAY: Contemporary Ceramics is Object’s biggest touring exhibition, including 12 regional and metropolitan venues over two and a half years.
#HYPERCLAY
TOUR DATES
Noosa Regional Art Gallery
QLD, 28 March – 11 May 2014
Cairns Regional Art Gallery
QLD, 23 May – 22 June 2014
Queen Victoria Museum & Art Gallery
Launceston, TAS, 9 August – 12 October 2014
Western Plains Cultural Centre
Dubbo, NSW, 8 Nov 2014 – 1 Feb 2015
by Carole Epp | Mar 11, 2014 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Heath
Ceramics is a more than 60-year-old California company that makes
dinnerware and architectural tile of good and enduring design.
We believe in the benefits of local manufacturing
and, with more than 100 employees and growing, we support a growing
community of people committed to and inspired by the process of
designing, making and sharing.
We believe in fair compensation, provide full health
care benefits and make retirement benefits available. If you are
someone who shares these values and is inspired by designing, making and
sharing, we’d love to hear from you.
If you would like to be considered for one of the
positions below, please send your resume and cover letter and let us
know about your availability (if you’re looking for part-time or
full-time work and location preference).
Thank you for your interest! Email us at
jobs(at)heathceramics.com
Production Director
We’re looking for a Production Director to oversee
the production of Heath’s dinnerware and tile products, made in our two
factories in Sausalito (dinnerware) and San Francisco (tile). This
position will be taking over from our current Production Director, who,
after seven successful and growth-filled years, is retiring.
See the full job description and apply
here.
Communications Director
We at Heath take an untraditional approach to Brand
Marketing. We don’t like either of those words, which is why this
position is titled Communications Director. That said, we recognize the
importance of said words in the industry and in large companies and we
mean no disrespect in using them sparingly in our company.
See the full job description and apply
here.
Ceramic Engineer
In a newly created position to address our growth
and expansion, the Ceramic Engineer at Heath will oversee technical
aspects of Heath’s dinnerware and tile production in our 2 factories
(dinnerware in Sausalito, CA and tile in SF, CA).
See the full job description and apply
here.
Industrial Machinery Electrician
We’re looking for a part-time Industrial Machinery Electrician to help at our Sausalito factory.
See the full job description
here (pdf download).
Merchandise Planner
Heath’s Merchandise Planner maintains stock levels
of Heath Home offerings in our four retail showrooms in California.
After product selection by our creative buying team, this position is
responsible for the full product cycle from vendor to sell through.
See the full job description and apply
here.
by Carole Epp | Mar 10, 2014 | Uncategorized
 |
| Tammy Marinuzzi |
Secret Jars: About two years ago I had an idea for a show focused on secrets.
I was going to make containers for holding secrets.
The idea was born in the studio classroom, where my role as an educator
also made me an inadvertent gatherer of private stories. Students can be
so candid when talking about their projects, or sometimes, just in
casual conversation with their classmates. I consider myself a
story-teller, but I have never asked anyone directly to share a story.
It has always been my secret that I collect stories and make work that
is based on those stories. I have definitely borrowed information for my
work from my surroundings, especially my jobs. I have been a
hairdresser, photographer, caregiver, artist, and now an educator.
Within:Without is a collection from a group of artists invited to explore jars, keeping the unique history of the form in mind.
The curatorial statement is a must read. Find it here.
See the whole show and purchase work here.
by Carole Epp | Mar 9, 2014 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
The
table is the place where a need becomes a want. Something we have to
do—eat—becomes something we care to do—dine, and then something we care
to do becomes something we try to do with grace. Eating together is the
civilizing act, we take urges and tame them into tastes.
—Adam Gopnik
The
table comes first, then the dishes, food, individuals and conversation.
There is trust and fear that comes with the meal—a trust that with an
honest conversation, knives will not be raised in anger, and a fear that
customs and rituals are not universally understood. Taste is our most
intimate sense, and the table is where we experience it socially. My
studio practice pivots around these notions of the table, and how the
work could bring people back to this place of social intimacy. In the
1880s dinnerware was advertised to women just like high fashion, where
the table was the mannequin that needed dressed. I am pushing ideas of
social iteration at the table through my towers, choreographing the
progression of the meal by stacking the dishes to be unwrapped as a gift
together. By investigating historical meals, I am able to imagine the
choreography of the footmen, who gracefully moved from guest to guest,
and guest to sideboard, and then to consider the modern hostess,
who scrambles to prepare the meal for her guests. These towers replace
the footmen and the frantic host, commenting subtly on such social
implications through their utilitarian attributes. I am using food as a
way of seeing the world, the tableware to create rituals through
decorum, and the table to build camaraderie. As the maker it is my
greatest wish to see these objects in use in the world, although beyond
this notion, my greater desire is through their utility, the necessity
of the table within the home becomes indisputable.
Lindsay Scypta
Clay Art Center 2013-2014 Artist In Residence
