call for entry: Studio 550 1st Annual Cup Show & Sale

by | Jul 19, 2013 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday

GUEST JURIED BY MOLLY HATCH
November 9-January 8
For PDF Application click here.

Studio
550 is accepting entries of functional ceramic work that is made for
drinking. All work must be functional, but may include cups, steins,
mugs, tumblers, sets, yunomis, tea bowls, and many more. We hope to make
this an annual international exhibit of great ceramic works of art for
your daily life.
The show will be open just in time for the holiday rush.  All pieces must be for sale and must be functional.
September 25, 2013: Application ARRIVE BY deadline for electronic or hard copy entries
October 7, 2013: Notification begins via email
October 23-30, 2013: Work arrives at gallery
November 9, 2013 – 6-8 PM: Opening Reception
January 8, 2013: Exhibition closes

STUDIO 550 ARTS CENTER
550 Elm St.
Manchester, NH 03101
603.232.5597
[email protected]
www.550arts.com

Pick of the Kiln: The Work of Michael Simon

by | Jul 18, 2013 | Uncategorized


July 20, 2013 – September 08, 2013
Dorothy Alexander Roush and Martha Thompson Dinos Galleries

This exhibition features ceramic works that reveal the progression of
Athens artist Michael Simon’s work over the course of his career. The
objects are Simon’s “pick of the kiln”: the pieces he chose to keep
after every kiln firing. Simon began selecting these items later in his
career after sending previous work to exhibitions, shops and fairs for
almost a decade without keeping any. He chose one object from each
firing to track how his work developed over time. The exhibition
features dozens of objects, some that simply appealed to Simon and
others because they represent a desired form. Simon’s body of work
features mostly functional objects. His interest in pottery originates
from the role that pots play within the household, serving a utilitarian
purpose such as food preparation, serving and storage.

July 31 @ 2:00pm
Tour at Two: “Pick of the Kiln”
August 25 @ 1:30pm
Group Discussion: “Pick of the Kiln: The Work of Michael Simon”

Curator – Caroline Maddox, director of development  
Sponsors – The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art

Georgia Museum of Art
90 Carlton Street ·
Athens, Georgia 30602 ·
(706) 542-GMOA / Contact Us

Medalta International Cup Show – the results are out!

by | Jul 16, 2013 | Uncategorized

I’ve been wanting to say a few words regarding the Medalta International Cup show and the jurying process for a while now, but between being gone and figuring out exactly what I wanted to say it’s been hard.

But I do want to say a few things.

To start with – wow.
That was truly a difficult task.
A super fun task, but a difficult one.

As you can imagine, I spend most of my days looking at amazing ceramic art from around the world – guilty as charged, uber ceramic geek and addicted to the internet.  And there I was jurying this show and finding myself completely floored by the variety of works that were submitted. The quality, aesthetic uniqueness, and technical prowess of the applications was truly inspiring. We received applications from over 160 artists, most with 3 submissions to chose from. So basically I had to narrow the selections down to about a third of what was submitted.

I don’t say this to be discouraging. I don’t want you to take this info and think to yourself; well why should I apply for these things if its so competitive? It is competitive. I had hard choices to make and lots of great work wasn’t let into the show. It’s how it goes. And a different juror might have made very different choices. Maybe not. You’ll get to be the judge once the exhibition is up and I’d love to hear your thoughts about what got into the show.

I guess what I really should be saying here though is thank you.
Thank you to Medalta for inviting me to participate in this exhibition in this manner. It has been a great honor. I’m very excited to see this annual exhibition grow and evolve over future years into one of the best international juried shows. It’s about time Canada had one like this to call it’s own. Good on yah Medalta!

Thank you to all the artists that submitted work. It was a pleasure and honor to see and study your work.

And thank you all for all the support that you all give this blog on a daily basis. From humble beginnings back in 2007, this blog has grown in a manner I could have never imagined. And I look forward to many more years as a part of this incredible, growing online community.

As the Medalta Cup show gets closer you’ll get more updates here and i’ll be taking you behind the scenes of the exhibition when I head out to Medalta in early Sept for the opening. If you are at all able to attend this exhibition and event I highly encourage you to come and join us in celebration of the selected artists in the exhibition who showcase some incredible skills and artistic vision.

I’ll leave you now with a excert from the letter that went out to the artists who submitted work regarding my thoughts on the submissions.

xoxoxo
Carole

“Well personally I couldn’t have been more thrilled to have
been asked to jury Medalta’s 1st International Cup Show, but I
honestly had no idea of the challenge that this jurying would present. The
ceramic cup is such a small object, yet so packed with meaning and reference.
The cup can often be the defining piece within a potter’s collection and one
that succinctly presents the artist’s aesthetic choices and technical
strengths.
There was not one entry that didn’t present a level of skill
and aesthetic rendering. Not one that didn’t have craftsmanship and vision. In
the end the chosen pieces for the exhibition were ones that stood out as having
a clearer voice of the artist, a more refined skill set, and a uniqueness that
made them stand out.
I’m grateful to all of the artists that submitted work for
this exhibition. Even those whose work was not chosen should not be discouraged
as all of the entries confirmed my expectations that the contemporary artistic
climate of functional ceramics is solid, ever expanding, and relevant to
contemporary artistic discourses.”
medalta.org