more arrowmont eye candy

 david gamble
 roberta massuch
 julia galloway & andy brayman
 andy shaw
 martina lantin
 shawn o’connor
 roberta massuch
adams puryear
 richard nickel
adams puryear
Elisa N. Di Feo
richard nickel
sandi pierantozzi
Rachel Garceau
kelly o’briant
david eichelberger
ben carter
tracey payne gamble
elizabeth kandall
alex irvine 
emily reason
 nate prouty
alex irvine
 jason burnett
kelly o’briant
natalie tornatore

FUSION Scholarships/Awards

FUSION supports member guilds in the crafts community by honouring excellence and endeavour in the field of clay and glass through the FUSION DESIGN AWARD. 

Each year, FUSION provides Student Awards of Merit to deserving graduating College students in the two disciplines of glass and ceramics.

The FUSION Bursary provides financial assistance through the Scholarship Fund to clay or glass artists in financial need wishing to further their education in ceramics or glass.

At the Annual Conference FUSION presents Volunteer Awards for outstanding service to FUSION.

FUSION is eligible to nominate deserving individuals for the Ontario Crafts Council Mather Award. Since 1981 to honour their founding member and former treasurer John Mather, the Ontario Crafts Council has presented an annual award for lifetime achievement.

Fireworks Awards are selected by jurors for FUSION’S Biennial Exhibition.

FUSION nominates outstanding individuals demonstrating excellence in their field for national awards on an on-going basis where applicable

FUSION gratefully acknowledges the assistance and generous donations of our many partners, in making the Fireworks awards a reality.

To find out how you can make a donation to one of our awards – either anonymously or in your name, your company’s name, or in the loving memory of a friend or relative, please contact us today.

Awards Eligibility, Guidelines & How to Apply, Download PDF:

FUSIONBursary2013.pdf

www.clayandglass.on.ca

New Ceramic Publication: Contemporary Tableware by Linda Bloomfield

“Tableware
has occupied a special place in our kitchens and dining rooms for
thousands of years, and continues to enchant us today. Ranging from the
purely functional to the fine and delicate, the evolution of domestic
pots tells us much about our changing tastes and habits, and the wider
art and cultural movements that have influenced their decoration and
forms.”

Softcover | 160 Pages
Order code CA125 | ISBN 978-1-57498-330-2Download a FREE Excerpt

epic arrowmont post (eye candy galore)

As anyone whose every attended a residency can attest to it’s beyond all else overwhelming. This is not a bad thing by any means, but it does result in the inability to verbalize adequately all of the amazing conversations, sights, sounds, and artworks that surrounds you. My intentions were to blog everyday and share all the details of my trip to Arrowmont, yet now that i’m finally siting at the computer i’m lost, not sure where to begin, and more than slightly aware of the magnitude of information that has been packed into my brain over the last few days.

As many of you might know this is my first real venture away from my littlest babe so it’s been a time for re-awakening the dormant parts of my creative brain after a long sleep. This alone has made the transition back into a communal studio where academic and creative language abounds a bit stressful for me. The theoretical mind is a muscle that if not stretched dies off and not much short of shock therapy is needed to get it working again.

So i began my travels with a day of flights from the cold north of
Saskatchewan down into the Southern United States and the great state of
Tennessee. I’ve never been this far south in the USA and quite honestly
had no idea what to expect. There is as always with Americans a
generosity and kindness, humor and sincerity that always brings me back
to the USA happily. Tennessee has a wealth of beautiful scenery to
behold and the drive from Knoxville to Gatlinburg (where Arrowmont is
located) was a road trip to burn into memory. The Smoky Mountain
National Park was lovely this time of year and I predict would be even
more breathtaking in the summer or fall months. 

A little on why I’m here: Early last year I received one of those emails that makes you giddy and uncontrollably dance happily around your kitchen (hopefully only for you to see). Jason Burnett, one of my current favorite contemporary potters contacted me regarding The Ceramic Surface Forum, which is a week long forum in it’s second year. Its an initiative that Jason pitched to Arrowmont and which Arrowmont eagerly supported, and somehow, just somehow I got on the ceramic gods good side and was invited to participate this year. I’ll be posting images of the other artists work over the next few days and will get around to posting links to all of their websites right away as well. For me this was the perfect way to start off my year. Last year was a blur, a baby, some sales, a move, who knows what else. And at the end of it all i was shocked to realize that a year had gone by without me having made even one new figurative sculpture. What?! I know. Embarrassing. That part of my brain had given itself up to the survival mode of parenting and craft sales. But in the fall I had applied for a grant with the Saskatchewan Arts Board which I recently found out I had received. This grant would financially support this residency as well as a research based trip to Los Angeles later this spring (more on that another time) and the production of a new body of figurative work.

So i looked that this week away at Arrowmont as the perfect way to start sketching ideas and content development for this new project. Plus on top of it all I would be surrounded by artists with a wealth of knowledge, particularly regarding ceramic surface techniques which I could learn from, test and possibly incorporate into new surface treatments for my figurative work.

Urgh glaze testing. How I hate thee. But with only a week and the inability to really bring anything back with me there was no point in making any sculptures – even if the idea of a weeks worth of uninterrupted days could have resulted in more physical work than what i created all last year. So instead i’m spending a lot of time peering over shoulders and learning, engaging in conversations about clay, craft, academia, life, you name it, and basically easing my way back into a making mode. Needless to say it’s been lovely, truly exactly what i needed and more.

For now I’ll leave you with some eye candy from around the studio as i’m eager to get away from this computer and back to the studio. I promise to fill you in more about Arrowmont, Gatlinburg and all of the artists i have the pleasure and honor to be working beside as soon as i have a spare minute. Until then enjoy!