Gasoline Alley and Other Sunday Dreams by Clint Neufeld @ the Mendel Art Gallery


Show runs until June 10th
Curated by Jen Budney Clint Neufeld, an artist based near Saskatoon in Osler, Saskatchewan, is ex-military and a former firefighter. His works embody the apparent contradictions between typically masculine pursuits and notions of beauty, ornamentation, and artistry. Taking the grease-monkey’s pre-occupation with muscle cars, he replicates the components of engines, transmissions, and axles in ceramic, finished like fine china, and sets them on elegant stands and furniture such as teacarts and chaises longues. The resulting sculptures ask viewers to consider men’s garage “tinkering” in terms of aesthetics, transformation, and even love. Neufeld, who has been working as a professional artist for just five years, is a rising star in the Canadian art scene. In 2011, he had solo exhibitions at public art galleries across the country and was also the first runner-up to the national Winifred Shantz Award for Ceramics. In 2012, his work is featured in the groundbreaking exhibition, Oh, Canada, at MASS MoCA in North Adams, Massachusetts, one of the premier institutions for contemporary art in the United States. The title of his exhibition at the Mendel makes reference to a long-running American comic strip that began in 1918. It depicted male characters holding weekly conversations about automobiles, and the characters aged normally through the decades. Similarly, Neufeld’s work speaks to the passing of knowledge through generatiotns. A cherished childhood memory is his grandfather lovingly washing his hands in gasoline, to remove the oil and paint they’d gathered after their “work” together. Decorations on Neufeld’s sculptures are inspired as much by his grandmother’s décor as by the history of ceramics. This is Neufeld’s first solo exhibition at the Mendel Art Gallery, organized by Associate Curator Jen Budney. It features new work as well as pieces borrowed from private and public collections. Neufeld’s sculptures were first exhibited here in the 2008 group exhibition, Flatlanders. Since then, he has had solo exhibitions at Montreal’s Parisian Laundry Gallery; Two Rivers Art Gallery in Prince George, British Columbia; the Estevan Art Gallery; and the Mann Gallery in Prince Albert. Born in Saskatoon in 1975, Neufeld grew up in Warman. He completed his BFA at the University of Saskatchewan and received his MFA from Concordia University in Montreal.via www.mendel.ca950 Spadina Crescent East
Saskatoon, Saskatchewan

Registration now open for Subversive Clay – 2012 Australian Ceramics Trienniale

The theme for this conference is ‘Subversive Clay’ and over four days it will explore clay as a medium capable of challenging artistic, social and cultural issues through an investigation across past traditions and invigorating new experimentations.

Representing excellence in contemporary clay practice from around the world, the conference will consider how ceramic artists contest traditional approaches to clay as a medium, as an important art form, and thus its role in society.

“On behalf of Craftsouth and the South Australian ceramics community I am pleased to introduce the 2012 Australian Ceramics Triennale and invite you to join us in Adelaide from 28th September to 1st October.

This will be the 13th National Ceramics Conference and we are proud to present an exciting program that brings together leading national and international ceramics practitioners, educators, collectors, critics and cultural theorists in celebrating diversity, plus social and cultural approaches to this field.”
Peter Johnson, Chair, Ceramics Triennale Steering Committee

Sophia Phillips (Ceramic Artist) goes on further to say … “’Subversive Clay’ will explore clay as a medium capable of challenging artistic, social and cultural issues through investigating past traditions and invigorating future experimentation.

The field of ceramics has a long history of ducking trends and laying its own path in the world of the visual arts. The physical versatility of clay means it is not a medium easily confined to set definitions or aesthetics. It is that slipperiness, both literal and figurative, which makes clay an excellent vehicle for the subversion of accepted norms, as well as an extraordinarily useful material.

The term ‘subversive clay’ initially leads one to think of the socio-cultural narratives and commentaries explored by many ceramic artists. However there are other quiet ways in which clay and ceramic artists subvert assumptions within and outside the field … sometimes ideas are forgotten or mistaken for one thing, when in fact they are another, or both. The contradictions, confusions and passionate disagreements over ‘The Vessel’, ‘Skill’ and the ‘Is it Art or Craft’ question (to name a few) are part and parcel of the ‘clay-game’ along with unkempt nails and questionable footwear. These points of friction are integral to development, exploration and the expansion of knowledge – and ultimately such discussions are about shaking up assumptions.”
Sophia Phillips 2011

The Speakers and Artists program will be a melting pot of debates and presentations around the important discourses within the ceramics and wider artworld, and a focal point for discussion on how the craft and its variety of practitioners are evolving to meet new challenges. The conference program will consist of keynote speakers followed by chaired panels. Akio Takamori and Masamichi Yoshikawa will lead Masterclasses in the week prior to the conference. There will be demonstrations running throughout the conference weekend at the JamFactory, University of South Australia and Adelaide College of the Arts, TAFE SA. We have over 18 artists doing demonstrations including such names as Prue Venables, Gerry Wedd, Phil Hart, Merran Esson, Ernabella, just to name a few.Find out more on their website and register today!

The Bunting Biennial Ceramics Symposium, Clay Embodied: Ceramics and the Human Form

Save the date for The Bunting Biennial Ceramics Symposium, Clay Embodied: Ceramics and the Human Form, scheduled for February 22-23, 2013 at the Birmingham Museum of Art. The Symposium will be held in conjunction with the 28th Annual Alabama Clay Conference. Confirmed speakers include:

  • Magdalene Odundo, Kenyan ceramic artist
  • Garth Clark, internationally recognized scholar, author, and collector of modern and contemporary ceramic art
  • Jeannine O’Grody, Deputy Director and Chief Curator at the Birmingham Museum of Art

Please check back for a full schedule and registration information.http://www.artsbma.org/events/the-bunting-biennial-ceramics-symposium

2013 NCECA BIENNIAL – CALL FOR ENTRIES

Deadline August 1, 2012 “Earth/Energy”
Houston, Texas
The NCECA Biennial is a premier international juried ceramics exhibition. Houston Center for Contemporary Craft, Houston, Texas will host the 2013 NCECA Biennial from January 26, 2013 to May 5, 2013. This exhibition will be held in conjunction with the 47th annual NCECA Conference in Houston, Texas, March 20 – 23, 2013. Held in odd-numbered years, the NCECA Biennial is open to NCECA Members and the larger ceramic community. The exhibition is juried from digital images by three prominent professionals in the field. Merit and purchase awards total approximately $7,000. NCECA produces a color catalog featuring jurors’ statements and work by all participating artists. JURORS: Cristina Cordova, Namita Gupta Wiggers and Richard Notkin ELIGIBILITY: Open to all current members of NCECA (both national and international) and to all ceramic artists, 18 years and older, residing in the U.S. Please note: artists from outside the U.S. (including Canada) must be NCECA members to enter. Entered works must have been completed within the last 2 years. Works entered in previous NCECA exhibitions are not eligible. Please do not enter the same work in more than one NCECA exhibition. MEDIA: Ceramic. Mixed Media will be accepted only when clay is the dominant material. Final determinations will be made by the jurors. NUMBER OF WORKS: Two works may be submitted with two (2) views allowed per entry. All entries must be submitted electronically using digital images. ENTRY PROCEDURES: All applicants will enter submissions online electronically through Juried Art Services at http://www.juriedartservices.com/ Online submission begins February 1 and ends August 1, 2012 (midnight EST). Artists may enter up to two works with two views per artwork.
Find all the details here.