by Carole Epp | Feb 14, 2012 | Uncategorized
Studio artist Gwendolyn Yoppolo will present a workshop and lecture Feb. 15 at Appalachian State University. Her campus visit is part of the Department of Art’s Spring Lecture Series. The lecture series is sponsored by Bob Meier and Doe Ridge Pottery, the Department of Art and Turchin Center for the Visual Arts. Yoppolo will conduct a workshop and demonstration from 1-5 p.m. in the clay studio in Wey Hall. A reception for the artist will be held at 6:30 p.m. in the lecture hall lobby of the Turchin Center. Yoppolo’s lecture will follow at 7 p.m. in the lecture hall. All events are free and open to the public. Yoppolo is a studio artist in residence at the Penland School of Crafts. She also has been a resident artist at the Archie Bray Foundation, a studio technician at Alfred University and an assistant professor at Juniata College in Pennsylvania. Yoppolo creates kitchen and tablewares from clay – intimate objects designed to be held or touched to the lips. “The forms I make engage the threshold of subjectivity by offering a conduit for nourishment into the body or between bodies,” according to Yoppolo’s artist statement. “The experience is more than visceral, as the body’s pursuit of sensual experience is tied into the process of making existence meaningful on all levels. How we choose to feed ourselves and others is connected not only to our sensations of hunger and gratification, but also to our deeper perceptions of ourselves, and of the larger stories we live by.” Yoppolo received an MFA from Penn State University in 2006. While at Penn State she received two fellowship awards for her research using the scanning electron microscope. She continues to work with this instrument to photograph the tiny landscapes of beach rubble, sugar cereals, plant seeds and insect parts.link
by Carole Epp | Feb 11, 2012 | Uncategorized
Thursday March 8, 2012, 6:30 – 8 pm
http://www.gardinermuseum.on.ca/event/rorymacdonald
Rory MacDonald discusses the importance of ceramics within the realm of public activism. Examples of Rory’s public interventions are his street tags of traditional blue and white Willow pattern made during his residency at Medalta in Medicine Hat, Alta. In another project called Curb Work, he drew attention to the deterioration of curbsides and sidewalks in downtown Regina. Repairing the fissures with exquisitely decorated ceramic patches, his strategic activism highlighted the deterioration but improved the urban streetscape. His discussion on Public Craft will look at these projects as well his most recent works. Ceramicist Rory MacDonald is currently Assistant Professor of Ceramics at the Nova Scotia College of Art and Design and the 2007 winner of the Winifred Shantz Award for emerging ceramics in Canada. Central to his current research is the exploration of the concept of public craft. His lecture will give an overview of both old and new works.
111 Queen’s Park
Toronto, Ontario
M5S 2C7
Canada
Tel +1 416.586.8080
Fax +1 416.586.8085
[email protected]
by Carole Epp | Feb 10, 2012 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Workhouse Arts Center 2nd Annual Workhouse Clay National 2012 Prospectus
Apply Now
The Workhouse Arts Center is proud to announce a call for entries for its 2nd Annual Workhouse Clay National Ceramics Exhibition 2012. This 2nd Annual Workhouse Clay National Ceramics Exhibition is an “Open Call” for functional and/or sculptural ceramic artworks. The focus of this year’s exhibit is to highlight the tremendous variety and depth of contemporary functional and sculptural ceramic artworks currently being created throughout the U.S.A. Juror- Peter Held Peter Held received his bachelor’s degree in studio art with an emphasis on ceramics from the State University of New York, Brockport. Upon graduation, he moved to Helena, Montana to become a resident artist at the Archie Bray Foundation for the Ceramic Arts. He later completed a master’s degree in museum administration at Oregon State University and interned at the Portland Art Museum in the Asian Art Department. Held returned to Helena in 1994 to serve as executive director and curator of the Holter Museum of Art, where he helped successfully lead a $2.3 million capital and endowment campaign. Since 2003, Held has been curator of ceramics at the ASU Art Museum Ceramics Research Center at Arizona State University in Tempe, Arizona. He also serves as a trustee for the American Craft Council and is chair of its development committee. Held has curated more than 75 exhibitions since 1989, including seven traveling ceramic shows: Ashen Beauty: Woodfired Ceramics; David Shaner: A Potter’s Work, 1963-1993; Sisters of the Earth: Native American Ceramics; A Ceramic Continuum: Fifty Years of the Archie Bray Influence; Between Clouds of Memory: Akio Takamori, A Mid-Career Survey; Eden Revisited: The Ceramic Art of Kurt Weiser and Innovation and Change: Great Ceramics from the ASU Art Museum Collection. Entry Guidelines Open to all ceramic artists 18 years and older residing in the U.S.
All works must be primarily ceramic. Mixed media works will be accepted only if ceramic materials are the primary media. The juror will make final determinations. Work must fit through a standard door. Floor works must be firmly stable. Installations shall be installed by artist. Wall-mounted pieces are limited to 20 lbs. per section. Work must have been produced within the last 3 years.
Apply Online Now! Click here . Selections will be conducted from images of works. No substitutions will be allowed. Artists may submit up to 3 entries with two images (including one detail) of each, not to exceed 6 images. Please proof your entries carefully as this will be the information used to generate any publicity information. Entry Fee All U.S. artists- $30 (Fee is non-refundable – payable thru PayPal when applying) for up to 3 entries (2 images per entry max.). Apply Online Now! click here Awards Best of Show- $350 1st place-$250- Sponsored by Standard Ceramics, Inc. 2nd Place-$150 Honorable Mentions Calendar Detailed information and Registration form: Available online December 7, 2011
Entry Submittal deadline: May 2, 2012
Acceptance notification: after June 1, 2012
Acceptance Contracts due: by July 1, 2012
Delivery of accepted work-being shipped: Due by July 20, 2012 Delivery of accepted work-being delivered: July 23, 2012 10am-5pm only!
Installation: July 23-24, 2012
Exhibition Dates: July 25 – August 26, 2012
Opening Reception: July 28, 2012 from 6pm-9pm Return of Shipped Artwork: Starting August 27, 2012 Pick-up of Delivered Artwork: August 27, 2012 10am-4pm only!
Workhouse Arts Center Lorton Arts Foundation W-16 Gallery Building
9601 Ox Road
Lorton Virginia 22079
Image Submission Guidelines
Please be prepared to submit the following when applying online:
- Name
- Title
- Year completed
- Type of clay and firing method
- Size (inches) H x W x D
- Weight (lbs.)
- Insurance Value/ Retail Price
- A brief artist statement of no more than 200 words describing your work
* Artist must be ready to upload professional quality JPG images. * The resolution of images should be 150DPI minimum; 300DPI maximum.* Images need to be smaller than 15MB.For more details please visit their website.
by Carole Epp | Feb 9, 2012 | Uncategorized
These aren’t clay, but still an amazing process.
Many thanks to Vipoo Srivilasa for sharing this.
FACETURE from Phil Cuttance on Vimeo.
The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create the each object’s form before each casting, making every piece utterly unique. The FACETURE process First the mould of the object is hand-made by scoring and cutting a sheet of 0.5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould’s final shape, and strength, is dictated by which triangular facets I pop in and out. I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid. The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine. The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece. The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use. Each vase is handmade, unique, and numbered on the base. Available in two sizes; tall – 45 x 12 cm approx. small – 34 x 8 cm approx Standard colours – Charcoal, blue, yellow, pink, white. Custom colours available. email [email protected] to for pricing and to order. Images by Petr Krejci & Phil Cuttance The FACETURE project was created with the support of Creative New Zealand.
www.philcuttance.com
Studio artist Gwendolyn Yoppolo will present a workshop and lecture Feb. 15 at Appalachian State University. Her campus visit is part of the Department of Art’s Spring Lecture Series. The lecture series is sponsored by Bob Meier and Doe Ridge Pottery, the Department of Art and Turchin Center for the Visual Arts. Yoppolo will conduct a workshop and demonstration from 1-5 p.m. in the clay studio in Wey Hall. A reception for the artist will be held at 6:30 p.m. in the lecture hall lobby of the Turchin Center. Yoppolo’s lecture will follow at 7 p.m. in the lecture hall. All events are free and open to the public. Yoppolo is a studio artist in residence at the Penland School of Crafts. She also has been a resident artist at the Archie Bray Foundation, a studio technician at Alfred University and an assistant professor at Juniata College in Pennsylvania. Yoppolo creates kitchen and tablewares from clay – intimate objects designed to be held or touched to the lips. “The forms I make engage the threshold of subjectivity by offering a conduit for nourishment into the body or between bodies,” according to Yoppolo’s artist statement. “The experience is more than visceral, as the body’s pursuit of sensual experience is tied into the process of making existence meaningful on all levels. How we choose to feed ourselves and others is connected not only to our sensations of hunger and gratification, but also to our deeper perceptions of ourselves, and of the larger stories we live by.” Yoppolo received an MFA from Penn State University in 2006. While at Penn State she received two fellowship awards for her research using the scanning electron microscope. She continues to work with this instrument to photograph the tiny landscapes of beach rubble, sugar cereals, plant seeds and insect parts.link
