by Carole Epp | Sep 15, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Entry Deadline is 12/10/11
“For some, the space inside a 12″ cube will seem nearly infinite, while others will have to re-imagine their work just to squeeze it in. I challenge all ceramic artists, from functional potters to sculptors to installation artists… To see the 12” glass cube through the eyes of inspiration rather than limitation!
The field of ceramics is bursting with some of the most fertile and creative minds in the contemporary art world and I look forward to seeing how the challenge of Clay3 is interpreted!”
– Steven Hill, Clay3 2012 Juror
Clay3 is open to all artist working in IL, MN, WI, OH, MI, KT, TN, AK, IA, and MO. All work must be no larger than 12″x12″x12″, and use 75% of clay as the primary medium. Artist may have up to 3 entries for $30, with up to 3 images per entry. Clay3 will be juried from digital submissions by nationally recognized artist, Steven Hill, Functional and sculptural ceramic art must fit within one cubic foot (12″X12″X12″). Awards for Best of Show, Second Best, Third Place and Honorable Mention.
Event Dates: 3/2/12 – 4/1/12
Stafford Place, Warrenville, IL 60555
For more information, click here to download prospectus.
via clay art web
by Carole Epp | Sep 15, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Entry Deadline: October 7th, 2011, (Application Postmark)
Exhibition Dates: March 3rd – April 14th, 2011
Hosted by Baltimore Clay Works and Exhibited in the Main Gallery
The cup is one of the most basic of forms, but provides infinite possibilities. Baltimore Clayworks is looking for cups that are visually compelling and serve their purpose. They welcome a broad definition of Cup, which may include cups, mugs, tumblers, tea bowls, yunomis — with trays or saucers or not, sets or not. The cups must be functional in a utilitarian way. Juried by Linda Christianson and John Wilson.
Daily Companions is open to ceramic artists who reside
in the United States. Work must have been completed in the past two years. Clay must be the primary material. All works must be for sale
Click here for more information and to download prospectus.
by Carole Epp | Sep 14, 2011 | Uncategorized
March 28 – March 31 : Seattle, Washington
Washington State Convention Center
800 Convention Place
Seattle, WA 98101-2350
Invited presenters include: Demonstrators: Christa Assad, Walter Keeler, Tip Toland, Jason Walker Keynote: Mark Dion Distinguished Lecture: Stefano Catalani and Gwen Chanzit – Curatorial Perspectives Lectures:
The New Sawdust Injection Burner – W. Lowell Baker
China Paint: New Directions – Marci Blattenburger and Paul Lewing
Boredom, Skill and the Creative Act – Janet DeBoos
Maori Clay: Inventing a Tradition? – Moyra Elliott
Room of a Thousand Porcelains – Julie Emerson
Why was Porcelain Technology First Invented in China and What is its Chinese Imperial Association? – Mimi Gates
The Land Within the Sea – John Grade and John Roloff
The Old Weird Clay World – Garth Johnson
How to Practically Apply Digital Techniques in Ceramics – Mark Hall and Greg Pugh
The Hardened Hobbycraft Criminal – Charles Krafft
In Context: Anne Hirondelle Ceramics – Jo Lauria and Jake Seniuk
The Ceramics PhD: Re-thinking Creative Pedagogy – Andrew Livingstone
Soda Kiln Doctors – Matt Long and Gail Nichols
The Contemporary Figurine – Paul Mathieu
From the Melting Pot into the Fire: Contemporary Ceramics in Israel – Yael Novak
Electric Kiln Doctor – Saadi Shapiro and Mike Swauger Closing Lecture: Love , Money and Sin – Robert Brady and Sandy Simon Panels:
Ceramics at the Edge of Form – Daniel Bare, Susannah Biondo-Gemmell, Amy Gogarty, Linda Swanson
Life on the Edge – Mashiko Rebuilds – John Baymore, Ayumi Horie, Lynn Zetman, Valerie Zimany
Sustainable Ceramics: Contradiction or Possibility? – David Binns, Gerard Blaauw, Nancy Selvage
Substance: Three Artist’s Passions – Wally Bivins, Richard Notkin, Tip Toland, Patti Warashina
Studio Practice/Entrepreneurial Attitude – Andy Brayman, Alleghany Meadows, Linda Sikora
So You Want to Talk Glaze Chemistry? – Bill Carty, Dave Finkelnburg, Tina Gebhart, Matthew Katz
The Evolving Role of Residencies – Cynthia Consentino, Martina Lantin, Jill Oberman, Kari Radasch
Teaching 3-D in a Virtual Plane – Jennifer Frahm, Sin Ying Ho, Sonya Paukune, Shana Salaff
Distillations and Eruptions: Installation Today – Priscilla Hollingsworth, Jen Mills, Beth Sellars, Christian Bernard Singer New Work:
Confections and Contrivances – Nick Kripal
Matt Nolen’s Grotesque Garden – Matt Nolan
In Search of Streams and Mountain – Jae Won Lee
Yoga: Finding Your Personal Edge – Debra Chronister Randall Session: Little Big Band Friday Night Dance: The Big Sky Mudflaps
by Carole Epp | Sep 13, 2011 | Uncategorized
Urbanisms II: Uber GurlzSeptember 16th – October 30th, 2011 Reception: September 29th, 2011 | 7:00pm Cate Francis, Sometimes Things Just Stick, 2010 | *Image Courtesy of the Artist Urbanisms II: Uber Gurlz spotlights women artists working in the urban art scene. The exhibition is the second in the Urbanisms series devoted to urban art forms and contemporary social and political issues. Art can bring focus to the nebulous anxieties of contemporary life, not just through the factual (which can prove as slippery as a three eyed pickerel), but also by conjuring the fantastical. The work in this exhibition uses urban art forms as a lens to look at society’s issues with empathy and often humour. Urbanisms II: Uber Gurlz is comprised of ceramic sculptures reminiscent of the figurine collectible, prints and paintings influenced by street art and alternative music poster styles, electronic toys altered to respond to viewers, as well as video, performance art and music. The artists unapologetically take on the big topics including societal and environmental consequences of colonialism and unbridled consumption. Many of the works in this exhibition open up visions of an alternately marvellous and horrible inner life of everyday reality, giving us viewers a momentary glimpse into a world – as we may have only suspected it exists.The reception for this event will take place on Thursday, September 29th at 7:00pm at the Mann art Gallery with an art event which also kicks off IPAC’s annual Two Story Café and will feature: performance artist Tanya Lukin-Linklater originally from the Native Villages of Port Lions and Afognak in the Kodiak archipelago of Southwestern Alaska and now based in North Bay, Ontario; Metis jiggers from Women of the Earth in Prince Albert; from Saskatoon, video artist Carrie Gates and circuit-bender Leeane Berger; and finally the mesmerizing noise/musical styling of Calgary’s Mares of Thrace, Stefani MacKichan on drums and Thérèse Lanz on guitars and vocals. The exhibition also brings together the works of visual artists Cate Francis, Carole Epp and April Doepker of Saskatoon, and Emma Zulkoskey, Emma McDonald and Terri-Lynn McDonald of Prince Albert. Curated by: Michel Boutin and Judy McNaughton (Prince Albert, SK) in collaboration with the Mann Art Gallery, IPAC (Indigenous Peoples Artist Collective), Women of the Earth, and Common Weal Community Arts. The Mann Art Gallery | 142 – 12th Street West | Prince Albert, SK | S6V 3E5[p] (306) 763-7080 | [f] (306) 763-7838 | [e] [email protected] | [w] www.mannartgallery.caHours: Monday – Sunday | 12:00pm – 5:00pm The Mann Art Gallery is grateful for the support of Mann Northway Motors, City of Prince Albert, Prince Albert Arts Board, Saskatchewan Arts Board, Canada Council for the Arts, Sask Culture, Sask Lotteries, Museum Association of Saskatchewan, and Canadian Heritage.
by Carole Epp | Sep 13, 2011 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
{Juried by Jennifer Allen}
About the Exhibition:
Currents: Influenced by Place, is a national (USA) juried exhibition that highlights our personal connection to clay through place. Whether it is our current location, where we came from or where we anticipate going, physically and mentally, our sense of place affects us as artists. Sponsored by H.O.T. Clay, and organized by its members, the exhibition will take place at the Focus Gallery, at the University of Florida campus in Gainesville, Florida.
Eligibility:
The show is open to anyone nationwide 18 years of age or older. Submitted work should be at least 60 percent clay and must have been completed within the last 2 years.
Dates and Location:
The opening reception will take place Friday, December 2nd from 7pm to 9pm at the Focus Gallery at the University of Florida. All accepted works must be shipped and returned at the cost to the artist. If your work is accepted, please deliver it with a return shipping form that has been paid for in advance. All works that do not include return shipping will be considered a generous donation to the H.O.T. Clay Club.
Entry Procedures:
Submission in digital format via CD is required. Each CD should contain your entry images (jpeg 1200×900 at 300 dpi) as well as a brief artist’s statement, resume, and completed entry form in PDF Format. Up to three entries with one detail image per entry may be submitted. Works that differ from submitted images beyond acceptable parameters will not be shown. Images should be labeled as such: LastnameFirstnameEntrynumber.jpg. Please add “detail” when necessary.
Application Information:
There is a non-refundable entry fee of $25 per artist, with a maximum of 3 works per individual. Please make checks payable to University of Florida.
Please deliver in person or mail applications to: Lindsay Rogers, University of FL SAAH, PO Box 115801, Gainesville, FL 32611-5801. Application materials will not be returned.
Important dates:
Submission Deadline: Sept 15th 2011
Notification to artist: Oct. 15th 2011
Deadline for delivery of artwork:
Oct. 31- Nov. 4th 2011
Exhibition dates:
Nov. 21st – Dec. 9th 2011
Reception: Dec. 2nd 2011
Return shipping of artwork:
January 20th 2012
Juror Profile:
Jennifer Allen makes thoughtfully created porcelain vessels. She exhibits her work internationally and currently teaches at Bowling Green State University. www.jenallenceramics.com