To all Canadian Artists:
There is an election coming (thank god). Want to find out more about how to have an impact with your vote for arts and culture?
There is an election coming (thank god). Want to find out more about how to have an impact with your vote for arts and culture?
Illustrative Ceramics by Eleanor Annand and Jason Bige Burnett
Submerging the Bathysphere is an illustrative ceramics exhibit featuring Eleanor Annand and Jason Bige Burnett. These two artists have come together to investigate life at sea through illustrative ceramics. In both form and content they have combined their playful sensibility to create decorative and functional ceramic work.View the work online here.
The 46th Annual NCECA Conference, “On the Edge,” will be held in Seattle, Washington at the Washington State Convention Center, March 28 – March 31, 2012. In conjunction with the conference, the University of Washington’s Jacob Lawrence Gallery will host the NCECA 2012 National Student Juried Exhibition, March 6 – March 31, 2012.Find out all the details here.
The 46th Annual NCECA Conference, “On the Edge”, will be held in Seattle, Washington at the Washington State Convention Center, March 28 – March 31, 2012. In conjunction with the conference, The Bellevue Arts Museum will host the 2012 NCECA Invitational “Push Play” from January 19 to June 17, 2012.
The NCECA Invitational is a themed, curated exhibition that features leading edge, large scale and often challenging ceramic art. Held in even-numbered years, a foundation group of works are selected by invitation; then additional artists are invited to submit images that support the theme for consideration. The submission process is open to all artists working in ceramics. This format brings established reputations and emerging talent to bear on the selected theme and adds vitality and fresh perspectives to an ongoing dialogue. A color catalogue documents the exhibition experience and contains artist statements, pertinent essays and color images of the art. The exhibition is curated and organized by NCECA Exhibitions Director, Linda Ganstrom.
Concept
The 2012 NCECA Invitational focuses on the importance of play as related to art and life.
Want to play? Such an invitation offers the possibility of learning through pleasurable, focused activity. Associated with nature, physical interaction and props, play allows the participant the freedom to observe, respond, interact and react in ways not prescribed, although some rules still apply with consequences for those who don’t play fair. The stories that evolve from play, in their authenticity, act as triggers for personal fantasy, artistic imagining and creative problem solving. The open nature of play and playthings endows them with the power to help establish gender roles, identity, social status and career roles. Governed by a set of rules or boundaries, an outside force directs gaming or sports play. As technology interfaces with gaming, play offers virtual experience, regulated and safe, but still exciting. No longer relegated to the realm of childhood, games simulate realities ranging from war to spiritual quests while assigning players alternative identities and enhanced personalities. What are the benefits and costs of these various types of play? Is art play? Creativity lies at the heart of both art and play. When does play become art and how does skill figure into the mix? Artists often approach their work as highly focused play involving all their sentient faculties. Increasingly democratized by technology, art-making no longer requires the skills developed from material discipline. A movie can be filmed from a cell phone as evidenced by the 2010 Guggenheim and YouTube groundbreaking competition, “Play Biennial.” While everyone has potential as an artist, not all have the highly specialized skills to create artifacts with a marketable value. Where does ceramics fit in? Art making, particularly in clay, immerses the maker in sensual substance and offers an appealing alternative to technology and virtual reality play. The materials and processes of ceramics regulate the game. Whether intuitive or skillful, play in clay can be intensely engaging.
Sharing a neighborhood with the corporate offices of Nintendo and Microsoft, The Bellevue Arts Museum seems an appropriate place to investigate the question, “What is play today?” NCECA and BAM encourage artists to create works that “Push Play” up their 30 foot lobby walls to reach the gallery floors, weather the winter and spring outdoors, invite physical interaction and employ play as the subject of their art. Filling most of the second floor of the Bellevue Arts Museum, “Push Play” has room for large as well as more traditional format works. Art is serious business, so too is play. This exhibition seeks to encourage artists to move into a realm where play and its connections to art, technology, individuality and community are investigated and celebrated, while stimulating thought and provoking conversation regarding the relevance of play in contemporary life. Ceramics is the perfect medium to “Push Play.”
Linda Ganstrom, Curator Eligibility
This exhibition is open to any artist whose works incorporate primarily ceramic materials and processes. NCECA Members pay a discounted submission fee. If you are not sure whether you have a current membership in NCECA contact: [email protected]
Media & Limitations
All works must be primarily ceramic or unfired clay. Mixed media works will be accepted only if ceramic materials are the primary media, although video documentation of projects involving ceramics are encouraged. The curator will make final determinations. Large scale work can be accommodated. Floor works must be firmly stable. Wall-mounted pieces are limited to 20 lbs per section. Works may be hung from the ceiling in specific places. Work must have been produced within the last five years and not have been shown in previous NCECA exhibitions, Bellevue Arts Museum or the greater Seattle area. Calendar
Detailed information and Online Submittal form: Available Jan.12, 2011
Online Submittal deadline: July 5, 2011 (midnight EST)
Acceptance notification: August 1, 2011
Contracts and Statements due: August 15, 2011
Delivery of accepted work: Before December 19, 2011
Installation: December 20 – January 18, 2012
Exhibition dates: January 19, 2012 –June 17, 2012
Return of work: After June 17, 2012
For all the details visit their site here.
The following is via Designboom
our friends at hong kong-based architectural firm map office are sending out a call to bring attention to the disappearance of contemporary chinese artist ai weiwei. last sunday, april 3rd, 2011, ai weiwei and his friend wan tao were stopped and detained by police authorities, from boarding a flight from beijing airport. they were then escorted away
since then, there has been no word as to their whereabouts until now. a statement was released this afternoon from a state-run global times newspaper breaking china’s media silence on the situation, stating that ai weiwei has no respect for the laws of his country, and that he is on the verge of pushing the limits of legal tolerance. for this, ai weiwei’s behaviour will be evaluated and he will pay a price for his actions.
the artist is best known for his political activism revolving around the earthquake that hit china’s sichuan province in 2008. since then he has faced physical abuse from authorities, his new studio was recently demolished and his name and work has been censored throughout china among other events and incidents.
you may read more about the detainment of ai weiwei by jerome cohen here.
ai weiwei’s work ‘sunflower seeds‘ is currently on show at the tate modern in london.
in may his ‘cirlce of animals / zodiac heads‘ world tour will begin in the grand army play near central park in new york.
*** Update thanks to Lori Buff:
A petition has been started to ask congress to request Weiwei’s release. To see and sign the petion, click here: http://www.change.org/petitions/free-chinese-artistactivist-ai-weiwei?share_id=irQHuRxLko&pe=pce
It’ll just take a minute!
Once you’re done, please ask your friends to sign the petition as well. Grassroots movements succeed because people like you are willing to spread the word!