Elsa Rady dies at 67; leading contemporary ceramic artist
For more information please visit the Los Angeles Times
For more information please visit the Los Angeles Times
DownStreet Art is pleased to announce a call for artists and curators for the 2011 season. This is a great opportunity to have your work/project showcased in an art-friendly community, to be in touch with artists, curators, and professionals in the art world, and to be part of a larger discourse about contemporary art. Opportunities are many, so please read details carefully and fill the application accordingly to your needs. DownStreet Art welcomes any form of art and any art work team. If you are a duo/trio or a group of artists willing to show together please apply! DownStreet Art 2011 will run from June 23rd till October 11th (Columbus Day Weekend). It will begin with a kick-off celebration on June 23rd and will hold four “DownStreet Art Thursdays” (with all galleries hosting opening receptions and downtown performances); and it will all culminate in North Adams Open Studios weekend on October 11th. Please note that as a public art project, DownStreet Art is dependent on available/empty spaces, sufficient funding and adequate staffing. While we are planning for 2011, the number of available/empty spaces (and thus opportunities) is uncertain at this time. DOWNLOAD THE APPLICATION NOW! CLICK >>>HERE
*** Special Note: Shannon Merritt is the Featured Artist at the Gallery of BC Ceramics from February 15th to March 15th make sure you stop by to see her work in person!
(gallery information here: http://www.bcpotters.com/Gallery/index.html )
Artist Biography
Shannon Merritt grew up in southern Ontario, tidy and shy. She received a B.A. in Native Studies from Trent University and moved to Yellowknife, NT where she spent winter nights tickling the aurora borealis, and summer days portaging her canoe through the forests of biting flies.
Shannon is a graduate of the Kootenay School of Arts in Nelson, BC where she lives, waking each day to the view of Elephant Mountain. She considers herself a writer disguised as a potter.
Artist Statement
I’m a potter and I’ve a fondness for words. I spent the better part of two days taking apart a typewriter so that I could press the keys into the flesh of the clay, recording my thoughts and observations onto pots. I’ve collected a number of things that are used as stamps. These miscellaneous cast-offs are more valuable than trimming tools and include antique letterpress blocks, pieces of retired machinery, and a caribou tooth from my adventures in the North. Together, the words and symbols become a story of my rhythm of making. Lessons, kindnesses, tattletales and laughs are highlighted using coloured slip beneath a clear glaze.
I am making modern day folk pots to create an intimacy in the way we consume the foods of our time. These hand built or wheel thrown and altered pots speak of precious functionality: bowls that are meant to be sipped from, and mugs with inverted handles, so that the user can cradle the cup, warming the hands. The proof of alteration has been left to remind the user of the individual attention the pot received.
These techniques come from a millennium of making, and applying them to contemporary functional porcelain pots is an exciting way of story-telling. It’s incredibly personal this shared journaling. And what I’m finding is that the pots I write stir something in the people who use them. It’s almost as if we’ve witnessed something together, like we share a great secret.
The words are a reaching out; a minute’s worth of conversation between us.
Now with it’s own website.
Oh the future is full of promise.
And the present has some kick ass technological developments.
Find out more here.
I am studio potter and teacher living on Vancouver Island. After many years without a place to call my own, I opened my studio and gallery, Dirty Girl Clayworks in 2004. My pots offer a contemporary, playful perspective on creating artful pottery that one can use to celebrate the everyday moments as well as unique occasions.
My work is informed by historical slipware. I use bright, fun colours, images, and text which reflect my belief that playfulness is an integral part of life. I have a love of words, both oral and printed. I find that the slip wants to be written on and into, carved and layered.
Text and simple, silhouette style stencils are the basis of my surface decoration. With this simple base I use printmaking techniques and inspiration from graphic novels, photography, poetry, politics, graffiti, and children’s books to tell stories on clay.